{"id":48747,"date":"2026-06-26T14:52:53","date_gmt":"2026-06-26T14:52:53","guid":{"rendered":"https:\/\/www.av.com\/blog\/?p=48747"},"modified":"2026-06-26T14:52:58","modified_gmt":"2026-06-26T14:52:58","slug":"best-movie-trilogies","status":"publish","type":"post","link":"https:\/\/www.av.com\/blog\/best-movie-trilogies\/","title":{"rendered":"The 31 Best Movie Trilogies of All Time"},"content":{"rendered":"<div id=\"ez-toc-container\" class=\"ez-toc-v2_0_85 counter-hierarchy ez-toc-counter ez-toc-grey ez-toc-container-direction\">\n<div class=\"ez-toc-title-container\">\n<p class=\"ez-toc-title\" style=\"cursor:inherit\">Table of Contents<\/p>\n<span class=\"ez-toc-title-toggle\"><a href=\"#\" class=\"ez-toc-pull-right ez-toc-btn ez-toc-btn-xs ez-toc-btn-default ez-toc-toggle\" aria-label=\"Toggle Table of Content\"><span class=\"ez-toc-js-icon-con\"><span class=\"\"><span class=\"eztoc-hide\" style=\"display:none;\">Toggle<\/span><span class=\"ez-toc-icon-toggle-span\"><svg style=\"fill: #999;color:#999\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"list-377408\" width=\"20px\" height=\"20px\" viewBox=\"0 0 24 24\" fill=\"none\"><path d=\"M6 6H4v2h2V6zm14 0H8v2h12V6zM4 11h2v2H4v-2zm16 0H8v2h12v-2zM4 16h2v2H4v-2zm16 0H8v2h12v-2z\" fill=\"currentColor\"><\/path><\/svg><svg style=\"fill: #999;color:#999\" class=\"arrow-unsorted-368013\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"10px\" height=\"10px\" viewBox=\"0 0 24 24\" version=\"1.2\" baseProfile=\"tiny\"><path d=\"M18.2 9.3l-6.2-6.3-6.2 6.3c-.2.2-.3.4-.3.7s.1.5.3.7c.2.2.4.3.7.3h11c.3 0 .5-.1.7-.3.2-.2.3-.5.3-.7s-.1-.5-.3-.7zM5.8 14.7l6.2 6.3 6.2-6.3c.2-.2.3-.5.3-.7s-.1-.5-.3-.7c-.2-.2-.4-.3-.7-.3h-11c-.3 0-.5.1-.7.3-.2.2-.3.5-.3.7s.1.5.3.7z\"\/><\/svg><\/span><\/span><\/span><\/a><\/span><\/div>\n<nav><ul class='ez-toc-list ez-toc-list-level-1 eztoc-toggle-hide-by-default' ><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-1\" href=\"https:\/\/www.av.com\/blog\/best-movie-trilogies\/#In_a_hurry\" >In a hurry?<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-2\" href=\"https:\/\/www.av.com\/blog\/best-movie-trilogies\/#The_best_movie_trilogies\" >The best movie trilogies<\/a><ul class='ez-toc-list-level-4' ><li class='ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-3\" href=\"https:\/\/www.av.com\/blog\/best-movie-trilogies\/#1_The_Matrix_Trilogy\" >1. The Matrix Trilogy<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-4\" href=\"https:\/\/www.av.com\/blog\/best-movie-trilogies\/#2_The_Indiana_Jones_Original_Trilogy\" >2. The Indiana Jones Original Trilogy<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-5\" href=\"https:\/\/www.av.com\/blog\/best-movie-trilogies\/#3_The_Star_Wars_Original_Trilogy\" >3. The Star Wars Original Trilogy<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-6\" href=\"https:\/\/www.av.com\/blog\/best-movie-trilogies\/#4_The_Star_Wars_Prequel_Trilogy\" >4. The Star Wars Prequel Trilogy<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-7\" href=\"https:\/\/www.av.com\/blog\/best-movie-trilogies\/#5_The_Lord_of_the_Rings_Trilogy\" >5. The Lord of the Rings Trilogy<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-8\" href=\"https:\/\/www.av.com\/blog\/best-movie-trilogies\/#6_The_Dark_Knight_Trilogy\" >6. The Dark Knight Trilogy<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-9\" href=\"https:\/\/www.av.com\/blog\/best-movie-trilogies\/#7_The_Bourne_Trilogy\" >7. The Bourne Trilogy<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-10\" href=\"https:\/\/www.av.com\/blog\/best-movie-trilogies\/#8_The_Godfather_Trilogy\" >8. The Godfather Trilogy<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-11\" href=\"https:\/\/www.av.com\/blog\/best-movie-trilogies\/#9_The_Dollars_Trilogy\" >9. The Dollars Trilogy<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-12\" href=\"https:\/\/www.av.com\/blog\/best-movie-trilogies\/#10_The_Vengeance_Trilogy\" >10. The Vengeance Trilogy<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-13\" href=\"https:\/\/www.av.com\/blog\/best-movie-trilogies\/#11_The_Three_Flavours_Cornetto_Trilogy\" >11. The Three Flavours Cornetto Trilogy<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-14\" href=\"https:\/\/www.av.com\/blog\/best-movie-trilogies\/#12_The_Wolverine_Trilogy\" >12. The Wolverine Trilogy<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-15\" href=\"https:\/\/www.av.com\/blog\/best-movie-trilogies\/#13_The_Oceans_Trilogy\" >13. The Ocean\u2019s Trilogy<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-16\" href=\"https:\/\/www.av.com\/blog\/best-movie-trilogies\/#14_The_Naked_Gun_Trilogy\" >14. The Naked Gun Trilogy<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-17\" href=\"https:\/\/www.av.com\/blog\/best-movie-trilogies\/#15_The_Mad_Max_Original_Trilogy\" >15. The Mad Max Original Trilogy<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-18\" href=\"https:\/\/www.av.com\/blog\/best-movie-trilogies\/#16_The_Spider-Man_Trilogy\" >16. The Spider-Man Trilogy<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-19\" href=\"https:\/\/www.av.com\/blog\/best-movie-trilogies\/#17_The_Blade_Trilogy\" >17. The Blade Trilogy<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-20\" href=\"https:\/\/www.av.com\/blog\/best-movie-trilogies\/#18_The_Rush_Hour_Trilogy\" >18. The Rush Hour Trilogy<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-21\" href=\"https:\/\/www.av.com\/blog\/best-movie-trilogies\/#19_The_Pirates_of_the_Caribbean_Trilogy\" >19. The Pirates of the Caribbean Trilogy<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-22\" href=\"https:\/\/www.av.com\/blog\/best-movie-trilogies\/#20_The_Shrek_Trilogy\" >20. The Shrek Trilogy<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-23\" href=\"https:\/\/www.av.com\/blog\/best-movie-trilogies\/#21_The_Terminator_Trilogy\" >21. The Terminator Trilogy<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-24\" href=\"https:\/\/www.av.com\/blog\/best-movie-trilogies\/#22_The_Toy_Story_Trilogy\" >22. The Toy Story Trilogy<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-25\" href=\"https:\/\/www.av.com\/blog\/best-movie-trilogies\/#23_The_Alien_Trilogy\" >23. The Alien Trilogy<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-26\" href=\"https:\/\/www.av.com\/blog\/best-movie-trilogies\/#24_The_Die_Hard_Trilogy\" >24. The Die Hard Trilogy<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-27\" href=\"https:\/\/www.av.com\/blog\/best-movie-trilogies\/#25_The_Planet_of_the_Apes_Caesar_Trilogy\" >25. The Planet of the Apes: Caesar Trilogy<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-28\" href=\"https:\/\/www.av.com\/blog\/best-movie-trilogies\/#26_The_Apocalypse_Trilogy\" >26. The\u00a0Apocalypse\u00a0Trilogy<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-29\" href=\"https:\/\/www.av.com\/blog\/best-movie-trilogies\/#27_The_Kinski_Madness_Trilogy\" >27. The Kinski Madness Trilogy<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-30\" href=\"https:\/\/www.av.com\/blog\/best-movie-trilogies\/#28_The_Urban_Loneliness_Trilogy\" >28. The\u00a0Urban Loneliness\u00a0Trilogy<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-31\" href=\"https:\/\/www.av.com\/blog\/best-movie-trilogies\/#29_The_Fast_Furious_Trilogy\" >29. The Fast &amp; Furious Trilogy<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-32\" href=\"https:\/\/www.av.com\/blog\/best-movie-trilogies\/#30_The_Ip_Man_Trilogy\" >30. The Ip Man Trilogy<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-33\" href=\"https:\/\/www.av.com\/blog\/best-movie-trilogies\/#31_The_Jurassic_Park_Trilogy\" >31. The Jurassic Park Trilogy<\/a><\/li><\/ul><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-34\" href=\"https:\/\/www.av.com\/blog\/best-movie-trilogies\/#Create_your_own_home_cinema\" >Create your own home cinema<\/a><ul class='ez-toc-list-level-4' ><li class='ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-35\" href=\"https:\/\/www.av.com\/blog\/best-movie-trilogies\/#Hisense_PX3-PRO_Projector\" >Hisense PX3-PRO Projector<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-36\" href=\"https:\/\/www.av.com\/blog\/best-movie-trilogies\/#XGIMI_Halo_Projector\" >XGIMI Halo+ Projector<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-37\" href=\"https:\/\/www.av.com\/blog\/best-movie-trilogies\/#Sapphire_16_9_Screen\" >Sapphire 16:9 Screen<\/a><\/li><\/ul><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-38\" href=\"https:\/\/www.av.com\/blog\/best-movie-trilogies\/#FAQs\" >FAQs<\/a><ul class='ez-toc-list-level-4' ><li class='ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-39\" href=\"https:\/\/www.av.com\/blog\/best-movie-trilogies\/#What_is_the_most_successful_movie_trilogy\" >What is the most successful movie trilogy?<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-40\" href=\"https:\/\/www.av.com\/blog\/best-movie-trilogies\/#What_are_the_top_3_movies_of_all_time\" >What are the top 3 movies of all time?<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-41\" href=\"https:\/\/www.av.com\/blog\/best-movie-trilogies\/#Which_film_had_24_sequels\" >Which film had 24 sequels?<\/a><\/li><\/ul><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-42\" href=\"https:\/\/www.av.com\/blog\/best-movie-trilogies\/#Final_thoughts\" >Final thoughts<\/a><\/li><\/ul><\/nav><\/div>\n<p>[et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;4.16&#8243; global_colors_info=&#8221;{}&#8221;][et_pb_row _builder_version=&#8221;4.16&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text admin_label=&#8221;Intro&#8221; _builder_version=&#8221;4.18.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p data-start=\"107\" data-end=\"397\"><span style=\"color: #999999;\">Featured Image:\u00a0<em>The Matrix\u00a0<\/em>(1999), Warner Bros., Village Roadshow Pictures, Silver Pictures<\/span><\/p>\n<p data-start=\"107\" data-end=\"397\">They say all good things come in threes, which is probably why film trilogies feel so satisfying when they actually work. One great film is hard enough, but three that feel connected, worthwhile, and not just made because the first one did well at the box office? That is a much bigger ask.<\/p>\n<p data-start=\"399\" data-end=\"818\">The <strong data-start=\"403\" data-end=\"427\">best movie trilogies<\/strong> give you a proper sense of time spent in a world. You get to see characters change and stories develop into something bigger or quietly fall apart by the third film. And honestly, that unevenness is part of the fun. Some trilogies are near-perfect from start to finish. Some are carried by one brilliant entry. Some have a third film that everyone politely talks around.<\/p>\n<p data-start=\"820\" data-end=\"1159\">For this list, the rest of the AV.com team and I have chosen our favourite trilogies, from sci-fi and fantasy to horror, comedy, animation, martial arts, superheroes, and more. The &#8220;best&#8221; is subjective, of course; not every pick is flawless, and I\u2019m sure there are a few choices here that will annoy someone somewhere. That is sort of the point.<\/p>\n<p>[\/et_pb_text][et_pb_image src=&#8221;https:\/\/www.av.com\/blog\/wp-content\/uploads\/2025\/07\/AV-Trade-in-Blog-Banner.jpg&#8221; alt=&#8221;AV Trade-In In-Page Banner&#8221; title_text=&#8221;AV-Trade-in-Blog-Banner&#8221; url=&#8221;https:\/\/www.av.com\/trade-in?utm_source=blog&#038;utm_medium=banner&#038;utm_campaign=blog+av+trade+in&#8221; url_new_window=&#8221;on&#8221; admin_label=&#8221;AV Trade-In In-Page Banner&#8221; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_module=&#8221;46457&#8243; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_text admin_label=&#8221;In a hurry?&#8221; _builder_version=&#8221;4.18.0&#8243; _module_preset=&#8221;default&#8221; custom_padding=&#8221;20px||||false|false&#8221; border_width_top=&#8221;2px&#8221; border_color_top=&#8221;gcid-45928375-1fd3-4d7e-b1f0-0adee316b54f&#8221; global_colors_info=&#8221;{%22gcid-45928375-1fd3-4d7e-b1f0-0adee316b54f%22:%91%22border_color_top%22%93}&#8221;]<\/p>\n<h3 data-section-id=\"1b2lc0o\" data-start=\"262\" data-end=\"276\"><span class=\"ez-toc-section\" id=\"In_a_hurry\"><\/span>In a hurry?<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p data-start=\"278\" data-end=\"377\">Not got time to go through all 31? Fair enough. Here are the top three movie trilogies on our list.<\/p>\n<p><strong>1. <em>The Matrix<\/em> Trilogy<\/strong><\/p>\n<p data-start=\"406\" data-end=\"788\">The first <em data-start=\"416\" data-end=\"424\">Matrix<\/em> is still one of the most important sci-fi films ever made. The sequels are more divisive, but as a trilogy, it has more than earned its place here. It changed how action films looked, made cyber paranoia feel strangely cool, and gave us a version of Keanu Reeves that basically defined an era. Also, watching him do kung fu in a trench coat still works. Obviously.<\/p>\n<p><strong>2. <em>Indiana Jones<\/em> Original Trilogy<\/strong><\/p>\n<p data-start=\"829\" data-end=\"1244\">The original <em data-start=\"842\" data-end=\"857\">Indiana Jones<\/em> trilogy is adventure cinema done properly. <em data-start=\"901\" data-end=\"926\">Raiders of the Lost Ark<\/em>, <em data-start=\"928\" data-end=\"944\">Temple of Doom<\/em>, and <em data-start=\"950\" data-end=\"968\">The Last Crusade<\/em> all have that old-school serial feel, with hidden temples, ancient myths, and Harrison Ford being effortlessly charming throughout. What makes it hold up is that Indy actually grows across the three films, gaining a bit more warmth and emotional weight as the series goes on.<\/p>\n<p><strong>3. <em>Star Wars<\/em> Original Trilogy<\/strong><\/p>\n<p data-start=\"1281\" data-end=\"1681\" data-is-last-node=\"\" data-is-only-node=\"\">The original <em data-start=\"1294\" data-end=\"1305\">Star Wars<\/em> trilogy is the obvious pick, but it is obvious for a reason. It gave us one of cinema\u2019s most recognisable worlds, with characters, designs, music, and moments that are still everywhere decades later. It is scrappy in places, but that is part of the charm. Big mythic storytelling, a weird sense of humour, and Darth Vader doing Darth Vader things. Hard to argue with, really.<\/p>\n<p>[\/et_pb_text][et_pb_button button_url=&#8221;https:\/\/www.av.com\/home-cinema&#8221; url_new_window=&#8221;on&#8221; button_text=&#8221;SHOP HOME CINEMA&#8221; button_alignment=&#8221;center&#8221; _builder_version=&#8221;4.18.0&#8243; _module_preset=&#8221;default&#8221; custom_button=&#8221;on&#8221; button_text_size=&#8221;14px&#8221; button_text_color=&#8221;#FFFFFF&#8221; button_bg_color=&#8221;#0e95cf&#8221; button_border_width=&#8221;0px&#8221; button_border_color=&#8221;#0e95cf&#8221; button_font=&#8221;Arial|700|||||||&#8221; button_icon=&#8221;&#x35;||divi||400&#8243; button_icon_color=&#8221;#FFFFFF&#8221; custom_padding=&#8221;10px|30px|10px|30px|false|false&#8221; box_shadow_style=&#8221;preset6&#8243; box_shadow_blur=&#8221;2px&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_button][et_pb_text admin_label=&#8221;The best movie trilogies&#8221; _builder_version=&#8221;4.18.0&#8243; _module_preset=&#8221;default&#8221; custom_padding=&#8221;20px||||false|false&#8221; border_width_top=&#8221;2px&#8221; border_color_top=&#8221;gcid-45928375-1fd3-4d7e-b1f0-0adee316b54f&#8221; global_colors_info=&#8221;{%22gcid-45928375-1fd3-4d7e-b1f0-0adee316b54f%22:%91%22border_color_top%22%93}&#8221;]<\/p>\n<h3 style=\"text-align: left;\"><span class=\"ez-toc-section\" id=\"The_best_movie_trilogies\"><\/span>The best movie trilogies<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<h4 style=\"text-align: left;\"><span class=\"ez-toc-section\" id=\"1_The_Matrix_Trilogy\"><\/span>1. <em>The Matrix<\/em> Trilogy<span class=\"ez-toc-section-end\"><\/span><\/h4>\n<p style=\"text-align: left;\">I saw <i>The Matrix<\/i> before <i>Star Wars: Episode III<\/i> came out, so I must have been about six. Did I understand the deeper ideas about faith, control, and Neo as a messianic figure? Absolutely not. Did I enjoy watching Keanu Reeves do kung fu in a trench coat? Completely.<\/p>\n<p style=\"text-align: left;\">Directed by the Wachowskis, the trilogy follows Neo as he discovers reality is a simulation and joins Morpheus and Trinity in the fight against the machines. The sequels are more divisive, but the original is still one of the most important sci-fi films ever made. Its bullet time effects, gun-fu action, leather-coated cool, and early-2000s cyber paranoia changed how action cinema looked and felt.<\/p>\n<p style=\"text-align: left;\">It made technology feel exciting, frightening, and very, very stylish. It&#8217;s safe to say this trilogy, for various reasons, changed my life.<\/p>\n<hr \/>\n<h4 style=\"text-align: left;\"><span class=\"ez-toc-section\" id=\"2_The_Indiana_Jones_Original_Trilogy\"><\/span>2. The <em>Indiana Jones<\/em> Original Trilogy<span class=\"ez-toc-section-end\"><\/span><\/h4>\n<p style=\"text-align: left;\">The original <em>Indiana Jones<\/em> trilogy nails that old-school adventure feel, from the map transitions and red travel line to the hidden temples, ancient myths, and creepy occult danger. Directed by Steven Spielberg and led by Harrison Ford at his most effortlessly charming, Raiders of the Lost Ark, Temple of Doom, and The Last Crusade helped define the modern action-adventure film.<\/p>\n<p style=\"text-align: left;\">What makes the trilogy so satisfying is that Indy actually grows across the three films. He starts as the cool, whip-cracking archaeologist, but by Temple of Doom and The Last Crusade, there\u2019s more warmth, fear, and emotional weight to him. I loved it enough that, on a trip to Venice, I made it my mission to find the library from <em>The Last Crusade<\/em>.<\/p>\n<hr \/>\n<h4 style=\"text-align: left;\"><span class=\"ez-toc-section\" id=\"3_The_Star_Wars_Original_Trilogy\"><\/span>3. The <em>Star Wars<\/em> Original Trilogy<span class=\"ez-toc-section-end\"><\/span><\/h4>\n<p style=\"text-align: left;\">What can be said about the original Star Wars trilogy that hasn\u2019t already been said? It\u2019s genre-defining cinema, obviously, but it also has this slightly camp, late-&#8217;70s, almost Doctor Who-ish charm that makes it feel weirdly perfect.<\/p>\n<p style=\"text-align: left;\">George Lucas created a universe that felt huge from the start, with <em>The Empire Strikes Back<\/em> and <em>Return of the Jedi<\/em> carrying that story into darker, stranger, and more emotional places. Luke, Leia, Han, Vader, Chewie, the droids; everyone feels instantly iconic, but still scrappy enough to be lovable. It\u2019s mythic without being too polished, silly without being stupid, and somehow still completely timeless.<\/p>\n<p style=\"text-align: left;\">And honestly, if you thought the original Star Wars trilogy wouldn\u2019t make this list, I\u2019d find your lack of faith disturbing.<\/p>\n<p style=\"text-align: left;\"><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/XHk5kCIiGoM?si=c8Gchc0KVnRaXMAO\" width=\"600\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/p>\n<hr \/>\n<h4 style=\"text-align: left;\"><span class=\"ez-toc-section\" id=\"4_The_Star_Wars_Prequel_Trilogy\"><\/span>4. The <em>Star Wars<\/em> Prequel Trilogy<span class=\"ez-toc-section-end\"><\/span><\/h4>\n<p style=\"text-align: left;\">I was the perfect age for the <em>Star Wars<\/em> prequels. I\u2019d seen the original trilogy, but I don\u2019t think I fully understood its significance yet. What I did understand was the brighter, faster, flashier world of <em>The Phantom Menace<\/em>, <em>Attack of the Clones<\/em>, and <em>Revenge of the Sith<\/em>. That was the version that really made Star Wars click for me.<\/p>\n<p style=\"text-align: left;\">Directed by George Lucas, the trilogy follows Anakin Skywalker\u2019s fall from gifted Jedi to Darth Vader, with Hayden Christensen, Natalie Portman, and Ewan McGregor at the centre of it. Yes, the dialogue is famously clunky, but Darth Maul, Count Dooku, General Grievous, and evil Anakin are all properly iconic. Also, Obi-Wan is absolutely the true protagonist here.<\/p>\n<p style=\"text-align: left;\">They might get plenty of hate online, but they\u2019re still not Episodes 7, 8, and 9.<\/p>\n<hr \/>\n<h4 style=\"text-align: left;\"><span class=\"ez-toc-section\" id=\"5_The_Lord_of_the_Rings_Trilogy\"><\/span>5. <em>The Lord of the Rings<\/em> Trilogy<span class=\"ez-toc-section-end\"><\/span><\/h4>\n<p style=\"text-align: left;\">I remember <i>The Lord of the Rings<\/i> being one of the few times my parents went to the cinema when I was a kid, without me. So naturally, I knew it must have been good. And to be fair, they were right.<\/p>\n<p style=\"text-align: left;\">Directed by Peter Jackson, <i>The Fellowship of the Ring<\/i>, <i>The Two Towers<\/i>, and <i>The Return of the King<\/i> remain one of the most complete trilogies ever put on screen. The story follows Frodo, Sam, Aragorn, Gandalf, and the rest of the Fellowship as they try to destroy the One Ring before Sauron can reclaim it.<\/p>\n<p style=\"text-align: left;\">Elijah Wood, Sean Astin, Ian McKellen, and Viggo Mortensen give it real emotion, while the scale of Middle-earth still feels massive. It\u2019s fantasy filmmaking with craft, patience, and a proper sense of journey.<\/p>\n<hr \/>\n<h4 style=\"text-align: left;\"><span class=\"ez-toc-section\" id=\"6_The_Dark_Knight_Trilogy\"><\/span>6. <em>The Dark Knight<\/em> Trilogy<span class=\"ez-toc-section-end\"><\/span><\/h4>\n<p style=\"text-align: left;\">Before Christopher Nolan got hold of Batman, versions of the character had gone from Tim Burton\u2019s gothic weirdness to bat credit cards and rubber suits and cowls that looked impossible to turn your head in. Then <i>Batman Begins<\/i> arrived and made Gotham feel almost militaristic.<\/p>\n<p style=\"text-align: left;\">Nolan\u2019s trilogy gives Bruce Wayne a proper three-film arc. <i>Batman Begins<\/i> is raw power and anger, with Bruce learning how to turn fear into a weapon. <i>The Dark Knight<\/i> brings experience, confidence, and cockiness, but also the brutal lesson that power means nothing without direction.<\/p>\n<p style=\"text-align: left;\">By <i>The Dark Knight Rises<\/i>, he\u2019s older, damaged, and carrying the consequences of everything he\u2019s built. Christian Bale makes Bruce feel human beneath the armour, while Michael Caine\u2019s Alfred gives the trilogy its heart (the size of a tangerine). Add in the IMAX cinematography, and you&#8217;re looking at something truly, truly special.<\/p>\n<p style=\"text-align: left;\"><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/1T__uN5xmC0?si=Ob_oLvm195GasepS\" width=\"600\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/p>\n<hr \/>\n<h4 style=\"text-align: left;\"><span class=\"ez-toc-section\" id=\"7_The_Bourne_Trilogy\"><\/span>7. <em>The Bourne<\/em> Trilogy<span class=\"ez-toc-section-end\"><\/span><\/h4>\n<p style=\"text-align: left;\">\u201cJesus Christ, that\u2019s Jason Bourne.\u201d<\/p>\n<p style=\"text-align: left;\">Honestly, no notes. <i>The Bourne Identity<\/i>, <i>The Bourne Supremacy<\/i>, and <i>The Bourne Ultimatum<\/i> are about as tight as action trilogies get. Matt Damon might not have seemed like the obvious spy-action lead at first, but that almost works in the films\u2019 favour. Bourne feels less like a suave super-agent who drinks cocktails and more like a man freaking out because he subconsciously knows how to do things he doesn\u2019t understand yet.<\/p>\n<p style=\"text-align: left;\">Doug Liman sets the whole thing in motion with <i>Identity<\/i>, before Paul Greengrass pushes the sequels into that frantic, handheld style that made every chase and close-quarters fight feel immediate. The shaky cam was fresh at the time, giving the trilogy a nervous, dramatic pace that later spy films clearly borrowed from. It\u2019s lean, sharp, and just all around a good time.<\/p>\n<hr \/>\n<h4 style=\"text-align: left;\"><span class=\"ez-toc-section\" id=\"8_The_Godfather_Trilogy\"><\/span>8. <em>The Godfather<\/em> Trilogy<span class=\"ez-toc-section-end\"><\/span><\/h4>\n<p style=\"text-align: left;\"><i>The Godfather<\/i> and <i>The Godfather: Part II<\/i> are basically perfect films. The casting, the pacing, the lighting, the music, the suits, the quiet threat in every conversation. Perfecto. Francis Ford Coppola turned Mario Puzo\u2019s mafia story into something much bigger than a gangster saga, making it about family, power, loyalty, and the cost of becoming the person everyone expects you to be.<\/p>\n<p style=\"text-align: left;\">Marlon Brando\u2019s Vito Corleone is iconic, but Al Pacino\u2019s Michael is the real tragedy. He starts as the son who wants no part of the family business, then slowly becomes colder, sharper, and more isolated than anyone around him. <i>Part III<\/i> is the weaker film, no question, but it still works as a final consequence chapter. Even with that dip, this trilogy more than earns its place here.<\/p>\n<hr \/>\n<h4 style=\"text-align: left;\"><span class=\"ez-toc-section\" id=\"9_The_Dollars_Trilogy\"><\/span>9. The <em>Dollars<\/em> Trilogy<span class=\"ez-toc-section-end\"><\/span><\/h4>\n<p style=\"text-align: left;\">Before he was asking whether punks felt lucky, Clint Eastwood was cutting about as a poncho-wearing, cigar-smoking cowboy badass. Sergio Leone\u2019s <i>Dollars<\/i> trilogy arrived at the peak of the spaghetti western era and made the genre feel dirtier, cooler, and far less polished than the more traditional John Wayne-style westerns.<\/p>\n<p style=\"text-align: left;\"><i>A Fistful of Dollars<\/i>, <i>For a Few Dollars More<\/i>, and <i>The Good, the Bad and the Ugly<\/i> are built on dust, silence, suspicion, and some of the best staring ever committed to film. Eastwood barely needs to speak. The squint does half the work. Ennio Morricone\u2019s music gives the whole trilogy a mythic quality, while the landscapes feel massive and unforgiving.<\/p>\n<p style=\"text-align: left;\">Special shoutout has to go to Lee Van Cleef, too, who brings proper villain energy every time he appears.<\/p>\n<p style=\"text-align: left;\"><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/IFNUGzCOQoI?si=LARx8HTCZhNVnfxF\" width=\"600\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/p>\n<hr \/>\n<h4 style=\"text-align: left;\"><span class=\"ez-toc-section\" id=\"10_The_Vengeance_Trilogy\"><\/span>10. <em>The Vengeance<\/em> Trilogy<span class=\"ez-toc-section-end\"><\/span><\/h4>\n<p style=\"text-align: left;\">First of all, these are not light films. Park Chan-wook\u2019s <em>Vengeance<\/em> trilogy is grim, stylish, but deeply, deeply uncomfortable. It\u2019s also a brilliant example of 2000s Korean cinema bringing ideas to the screen that probably wouldn\u2019t have survived a Hollywood meeting room.<\/p>\n<p style=\"text-align: left;\">This isn\u2019t a trilogy in the usual character-and-plot sense. <i>Sympathy for Mr. Vengeance<\/i>, <i>Oldboy<\/i>, and <i>Lady Vengeance<\/i> are connected by theme, all circling around revenge and guilt. <i>Oldboy<\/i> is the obvious entry point for many people, especially thanks to its famous corridor fight, a raw, exhausting scene that still gets referenced for a reason.<\/p>\n<p style=\"text-align: left;\">Across the three films, Chan-wook makes revenge look brutal, beautiful, and completely poisonous, because\u00a0 &#8220;Holding onto anger is like drinking poison and expecting the other person to die.&#8221;<\/p>\n<hr \/>\n<h4 style=\"text-align: left;\"><span class=\"ez-toc-section\" id=\"11_The_Three_Flavours_Cornetto_Trilogy\"><\/span>11. The<i> Three Flavours Cornetto <\/i>Trilogy<span class=\"ez-toc-section-end\"><\/span><\/h4>\n<p style=\"text-align: left;\"><em>Three Flavours Cornetto<\/em> is painfully, brilliantly British. Edgar Wright, Simon Pegg, and Nick Frost take the most ordinary parts of British life and throw them into a zombie film, a buddy-cop action, and a sci-fi apocalypse story, somehow making all of it feel completely natural.<\/p>\n<p style=\"text-align: left;\"><i>Shaun of the Dead,<\/i> <i>Hot Fuzz, <\/i>and <i>The World\u2019s End<\/i> are possibly the best horror-comedies ever made. And what ties them together? Not just the iconic Pegg and Frost duo, but also Cornetto ice cream. These films are funny, sharp, and, to be honest, quite bleak&#8230;\u201cNo luck catching those swans then?\u201d<\/p>\n<hr \/>\n<h4 style=\"text-align: left;\"><span class=\"ez-toc-section\" id=\"12_The_Wolverine_Trilogy\"><\/span>12. <em>The Wolverine<\/em> Trilogy<span class=\"ez-toc-section-end\"><\/span><\/h4>\n<p style=\"text-align: left;\">Hugh Jackman is Wolverine. Plenty of actors have played superheroes well, but Hugh Jackman just is Logan. I was the perfect age for the first <em>X-Men<\/em> films, so it&#8217;s hard to imagine anyone else in the role. Sometimes, being born in the &#8217;90s really is the greatest gift.<\/p>\n<p style=\"text-align: left;\">As a trilogy, it&#8217;s uneven, but the overall arc is strong. <em>X-Men Origins: Wolverine<\/em> is messy, loud and very much of its era, while <em>The Wolverine<\/em> gives Logan a more isolated story, digging into his guilt, grief, and exhaustion. Then there&#8217;s <em>Logan<\/em>, the clear standout and one of the best superhero films, full stop. By that point, Wolverine is older, healing more slowly and tired of a life built around violence.<\/p>\n<p style=\"text-align: left;\">Watching time finally catch up with a man who&#8217;s survived for almost two centuries is genuinely devastating. I cried at the end, and I&#8217;m not ashamed to admit it.<\/p>\n<p style=\"text-align: left;\"><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/Div0iP65aZo?si=nEmz4vvu4CerpZXf\" width=\"600\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/p>\n<hr \/>\n<h4 style=\"text-align: left;\"><span class=\"ez-toc-section\" id=\"13_The_Oceans_Trilogy\"><\/span>13. The <em>Ocean\u2019s<\/em> Trilogy<span class=\"ez-toc-section-end\"><\/span><\/h4>\n<p class=\"isSelectedEnd\" style=\"text-align: left;\">If <em>The Italian Job<\/em> is classic heist cinema, then <em>Ocean&#8217;s Eleven<\/em>, <em>Twelve<\/em> and <em>Thirteen<\/em> are the slick, glossy, modern versions, with the confidence turned all the way up. Steven Soderbergh&#8217;s trilogy is less about danger and more about charm and watching a group of people be annoyingly good at their jobs.<\/p>\n<p style=\"text-align: left;\">George Clooney, Brad Pitt, Matt Damon, Don Cheadle, Bernie Mac, and the rest of the crew make professional crime look like an appealing career move, which is probably not the intended lesson. The films are expensive-looking and ridiculously cool, moving from Vegas casinos to elaborate European schemes without ever taking themselves too seriously.<\/p>\n<p style=\"text-align: left;\"><em>Ocean&#8217;s Eleven<\/em> is still the strongest of the three, but the whole trilogy runs on pure cast charisma.<\/p>\n<hr \/>\n<h4 style=\"text-align: left;\"><span class=\"ez-toc-section\" id=\"14_The_Naked_Gun_Trilogy\"><\/span>14. <em>The Naked Gun<\/em> Trilogy<span class=\"ez-toc-section-end\"><\/span><\/h4>\n<p style=\"text-align: left;\"><i>The Naked Gun<\/i> trilogy is absolutely a product of its time, but that\u2019s also part of the appeal. It\u2019s ridiculous, yet there\u2019s real craft behind how daft it all seems on the surface.<\/p>\n<p style=\"text-align: left;\">Leslie Nielsen\u2019s Frank Drebin is the key. He plays every absurd line with total seriousness, which makes the slapstick, wordplay, background gags, and complete nonsense land even harder. These films don\u2019t pause to make sure you got the joke; they just throw another five at you and trust that at least two will hit.<\/p>\n<p style=\"text-align: left;\">Some of it is dated, naturally, but the best bits still feel sharp because the timing is so precise. It\u2019s not trying to be sensible comedy. It\u2019s chaos in a police badge, and you love it for what it is.<\/p>\n<hr \/>\n<h4 style=\"text-align: left;\"><span class=\"ez-toc-section\" id=\"15_The_Mad_Max_Original_Trilogy\"><\/span>15. The <em>Mad Max<\/em> Original Trilogy<span class=\"ez-toc-section-end\"><\/span><\/h4>\n<p style=\"text-align: left;\">Before the later controversies around Mel Gibson complicated his reputation, he really was <i>the man<\/i> for a while, and the original <i>Mad Max<\/i> films are a big reason why. I remember watching them as a child and trying to wrap my head around the whole thing. The road gangs, the leather, the dust, the battered cars, the sense that society had just collapsed, and everyone had decided to express that through violence and motorbikes.<\/p>\n<p style=\"text-align: left;\">George Miller\u2019s trilogy starts fairly raw with <i>Mad Max<\/i>, then fully locks into the wasteland myth with <i>The Road Warrior<\/i> and <i>Beyond Thunderdome<\/i>. That dystopian road-punk look is so striking that it basically became the template for post-apocalyptic action. Even now, when a film shows a desert wasteland full of modified vehicles, it\u2019s hard not to see Max\u2019s tyre tracks all over it.<\/p>\n<p style=\"text-align: left;\"><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/GLugCmYn_ts?si=nGCKbzA-FjF0fCvE\" width=\"600\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/p>\n<hr \/>\n<h4 style=\"text-align: left;\"><span class=\"ez-toc-section\" id=\"16_The_Spider-Man_Trilogy\"><\/span>16. The <em>Spider-Man<\/em> Trilogy<span class=\"ez-toc-section-end\"><\/span><\/h4>\n<p style=\"text-align: left;\">Team Tobey, 10000%. Sam Raimi\u2019s <i>Spider-Man<\/i> trilogy was everything you wanted a superhero film to be at the time: colourful, sincere, dramatic, and a bit weird.<\/p>\n<p style=\"text-align: left;\">What makes it work is how well it balances comic-book danger with painfully normal problems. Peter Parker isn\u2019t just fighting Green Goblin, Doc Ock, and Sandman. He\u2019s late for work, behind on rent, awkward in love, and constantly trying to do the right thing while his life falls apart. Tobey Maguire makes that struggle feel genuine, while Willem Dafoe and Alfred Molina give us two of the most iconic villains in superhero cinema.<\/p>\n<p style=\"text-align: left;\">Bruce Campbell\u2019s little appearances are also perfect comic relief. And yes, they were going to make a fourth one&#8230; but I guess the world wasn&#8217;t ready for that.<\/p>\n<hr \/>\n<div class=\"qMYqUG_convSearchResultHighlightRoot\" style=\"text-align: left;\">\n<div class=\"\" data-turn-id-container=\"request-6a33c9f2-66e8-832b-9c89-274d39d3c099-39\" data-is-intersecting=\"true\">\n<section class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [&amp;:has([data-writing-block])&gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"request-6a33c9f2-66e8-832b-9c89-274d39d3c099-39\" data-turn-id-container=\"request-6a33c9f2-66e8-832b-9c89-274d39d3c099-39\" data-testid=\"conversation-turn-86\" data-turn=\"assistant\">\n<div class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\">\n<div class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" data-conversation-screenshot-content=\"\">\n<div class=\"flex max-w-full flex-col gap-4 grow\">\n<div class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+&amp;]:mt-1\" dir=\"auto\" data-message-author-role=\"assistant\" data-message-id=\"cbdfcdc3-af7a-4608-b1ef-1a6f8d6facac\" data-message-model-slug=\"gpt-5-5-thinking\" data-turn-start-message=\"true\">\n<div class=\"flex w-full flex-col gap-1 empty:hidden\">\n<div class=\"markdown prose dark:prose-invert wrap-break-word w-full light markdown-new-styling\">\n<h4 data-section-id=\"1pfy9gy\" data-start=\"0\" data-end=\"21\"><span class=\"ez-toc-section\" id=\"17_The_Blade_Trilogy\"><\/span>17. The <em>Blade<\/em> Trilogy<span class=\"ez-toc-section-end\"><\/span><\/h4>\n<p data-start=\"23\" data-end=\"394\">Before the MCU had everyone staying for post-credit scenes, <em data-start=\"83\" data-end=\"90\">Blade<\/em> was already making comic book films look cooler, darker, and far less safe. Wesley Snipes is ridiculous in the best way here. The sunglasses, the sword, the leather coat, the deadpan delivery. He doesn\u2019t play Blade like a superhero. He plays him like the bouncer at the world\u2019s most dangerous nightclub.<\/p>\n<p data-start=\"396\" data-end=\"764\" data-is-last-node=\"\" data-is-only-node=\"\">The first film\u2019s blood rave opening is still one of the great introductions to a character, while <em data-start=\"494\" data-end=\"504\">Blade II<\/em> gets Guillermo del Toro involved and leans even harder into the gothic creature-feature side of things. <em data-start=\"609\" data-end=\"625\">Blade: Trinity<\/em> is definitely the weaker entry, but the trilogy\u2019s legacy is secure. After all, \u201csome motherf***ers are always trying to ice-skate uphill.\u201d<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"z-0 flex min-h-[46px] justify-start\">\u00a0<\/div>\n<div class=\"mt-3 w-full empty:hidden\">\n<div class=\"text-center\">\n<hr \/>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n<\/div>\n<\/div>\n<div class=\"pointer-events-none -mt-px h-px translate-y-[calc(var(--scroll-root-safe-area-inset-bottom)-14*var(--spacing))]\" style=\"text-align: left;\" aria-hidden=\"true\">\n<h4 data-section-id=\"1f7jdkf\" data-start=\"0\" data-end=\"25\"><span class=\"ez-toc-section\" id=\"18_The_Rush_Hour_Trilogy\"><\/span>18. The <em>Rush Hour<\/em> Trilogy<span class=\"ez-toc-section-end\"><\/span><\/h4>\n<p data-start=\"27\" data-end=\"289\"><em data-start=\"27\" data-end=\"38\">Rush Hour<\/em> works because Jackie Chan and Chris Tucker feel like they should not work together at all, and then somehow become the entire reason to keep watching. One is all precision, timing, and physical comedy. The other is pure volume, confidence, and chaos.<\/p>\n<p data-start=\"291\" data-end=\"827\">The trilogy sits somewhere between buddy-cop film, martial arts showcase, and comfort watch. Jackie Chan brings the stunt work and fight choreography, often making action scenes feel like comedy routines with real danger attached.<\/p>\n<p data-start=\"291\" data-end=\"827\">Chris Tucker, meanwhile, talks at a speed no normal person should be able to maintain. Some of the humour is very much of its time, but the chemistry still carries it. It\u2019s loud, silly, endlessly quotable, and proof that sometimes all you need is two mismatched leads arguing their way through explosions.<\/p>\n<\/div>\n<p style=\"text-align: left;\"><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/JMiFsFQcFLE?si=ZwzULVatVhFDE8Uk\" width=\"600\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><span data-mce-type=\"bookmark\" style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" class=\"mce_SELRES_start\">\ufeff<\/span><\/iframe><\/p>\n<hr \/>\n<h4 class=\"pointer-events-none -mt-px h-px translate-y-[calc(var(--scroll-root-safe-area-inset-bottom)-14*var(--spacing))]\" style=\"text-align: left;\" aria-hidden=\"true\"><span class=\"ez-toc-section\" id=\"19_The_Pirates_of_the_Caribbean_Trilogy\"><\/span>19. The <em>Pirates of the Caribbean<\/em> Trilogy<span class=\"ez-toc-section-end\"><\/span><\/h4>\n<p style=\"text-align: left;\" data-start=\"42\" data-end=\"235\">First of all, we\u2019re ignoring everything after <em data-start=\"88\" data-end=\"104\">At World\u2019s End<\/em>. As far as I\u2019m concerned, <em data-start=\"131\" data-end=\"161\">The Curse of the Black Pearl<\/em>, <em data-start=\"163\" data-end=\"181\">Dead Man\u2019s Chest<\/em>, and <em data-start=\"187\" data-end=\"203\">At World\u2019s End<\/em> are the full circle experience.<\/p>\n<p style=\"text-align: left;\" data-start=\"237\" data-end=\"792\" data-is-last-node=\"\" data-is-only-node=\"\">The fact that this all came from a Disneyland ride is still wild, because the first film has no right to be as good as it is. It\u2019s funny, spooky, romantic, and properly adventurous, with Johnny Depp turning Jack Sparrow into an instant icon. Orlando Bloom and Keira Knightley give the trilogy its more traditional swashbuckling heart, while the sequels go bigger, stranger, and more supernatural.<\/p>\n<p style=\"text-align: left;\" data-start=\"237\" data-end=\"792\" data-is-last-node=\"\" data-is-only-node=\"\">Davy Jones is a brilliant villain, too, all tentacles, tragedy, and \u201cDo you fear death?\u201d energy. It\u2019s frivolous pirate nonsense, but done with real scale and charm.<\/p>\n<hr \/>\n<div class=\"qMYqUG_convSearchResultHighlightRoot\" style=\"text-align: left;\">\n<div class=\"\" data-turn-id-container=\"request-6a33c9f2-66e8-832b-9c89-274d39d3c099-45\" data-is-intersecting=\"true\">\n<section class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [&amp;:has([data-writing-block])&gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"request-6a33c9f2-66e8-832b-9c89-274d39d3c099-45\" data-turn-id-container=\"request-6a33c9f2-66e8-832b-9c89-274d39d3c099-45\" data-testid=\"conversation-turn-98\" data-turn=\"assistant\">\n<div class=\"z-0 flex min-h-[46px] justify-start\">\n<h4 data-section-id=\"1ch9tlq\" data-start=\"0\" data-end=\"21\"><span class=\"ez-toc-section\" id=\"20_The_Shrek_Trilogy\"><\/span>20. The <em>Shrek<\/em> Trilogy<span class=\"ez-toc-section-end\"><\/span><\/h4>\n<p data-start=\"23\" data-end=\"243\"><em data-start=\"23\" data-end=\"30\">Shrek<\/em> took the clean, polished fairy-tale formula and made it rude, scruffy, sarcastic, and somehow still genuinely sweet.<\/p>\n<p data-start=\"245\" data-end=\"777\">The first film gave DreamWorks a proper identity and proved animated films could be cheeky without losing heart. Then <em data-start=\"363\" data-end=\"372\">Shrek 2<\/em> came along and, let\u2019s be honest, it might be the best one. Puss in Boots arrives fully formed, Fairy Godmother is a top-tier villain, and the soundtrack choices are ridiculous in the best way. <em data-start=\"563\" data-end=\"580\">Shrek the Third<\/em> is definitely weaker, but the trilogy still earns its place through sheer cultural weight.<\/p>\n<p data-start=\"245\" data-end=\"777\">The jokes, the memes, the music, the adult references we definitely didn\u2019t get as kids&#8230; it\u2019s ogre cinema.<\/p>\n<hr \/>\n<\/div>\n<\/section>\n<\/div>\n<\/div>\n<h4 style=\"text-align: left;\" data-section-id=\"1dz4ift\" data-start=\"0\" data-end=\"26\"><span class=\"ez-toc-section\" id=\"21_The_Terminator_Trilogy\"><\/span>21. <em>The Terminator<\/em> Trilogy<span class=\"ez-toc-section-end\"><\/span><\/h4>\n<p style=\"text-align: left;\" data-start=\"28\" data-end=\"218\">For me, <em data-start=\"36\" data-end=\"52\">The Terminator<\/em>, <em data-start=\"54\" data-end=\"82\">Terminator 2: Judgment Day<\/em>, and <em data-start=\"88\" data-end=\"110\">Rise of the Machines<\/em> are the ones that count, because they complete the John Connor arc. Everything after that gets a bit messy.<\/p>\n<p style=\"text-align: left;\" data-start=\"220\" data-end=\"796\" data-is-last-node=\"\" data-is-only-node=\"\">The first film is almost a horror movie, with Arnold Schwarzenegger as this unstoppable machine hunting Sarah Connor through dark streets and cheap motels; it feels very John Carpenter-esque, capturing that tech-noir feel.<\/p>\n<p style=\"text-align: left;\" data-start=\"220\" data-end=\"796\" data-is-last-node=\"\" data-is-only-node=\"\">Then <em data-start=\"381\" data-end=\"385\">T2<\/em> somehow takes that idea and makes one of the greatest action sequels ever made. Bigger budget, better effects, emotional weight, and Sarah Connor going from terrified target to absolute survivalist icon.<\/p>\n<p style=\"text-align: left;\" data-start=\"220\" data-end=\"796\" data-is-last-node=\"\" data-is-only-node=\"\"><em data-start=\"590\" data-end=\"612\">Rise of the Machines<\/em> is definitely the weaker third entry, but its bleak ending does a lot of heavy lifting. As a trilogy, it\u2019s about fate, fear, and whether John Connor can ever really outrun the future.<\/p>\n<p style=\"text-align: left;\"><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/CRRlbK5w8AE?si=h5rWwPK7zlSDBbhP\" width=\"600\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/p>\n<div class=\"qMYqUG_convSearchResultHighlightRoot\" style=\"text-align: left;\">\n<div class=\"\" data-turn-id-container=\"request-6a33c9f2-66e8-832b-9c89-274d39d3c099-45\" data-is-intersecting=\"true\">\n<section class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [&amp;:has([data-writing-block])&gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"request-6a33c9f2-66e8-832b-9c89-274d39d3c099-45\" data-turn-id-container=\"request-6a33c9f2-66e8-832b-9c89-274d39d3c099-45\" data-testid=\"conversation-turn-98\" data-turn=\"assistant\">\n<div class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\">\n<div class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" data-conversation-screenshot-content=\"\">\n<div class=\"text-center\">\n<hr \/>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n<\/div>\n<\/div>\n<div class=\"pointer-events-none -mt-px h-px translate-y-[calc(var(--scroll-root-safe-area-inset-bottom)-14*var(--spacing))]\" style=\"text-align: left;\" aria-hidden=\"true\">\n<div class=\"qMYqUG_convSearchResultHighlightRoot\">\n<div class=\"\" data-turn-id-container=\"request-6a33c9f2-66e8-832b-9c89-274d39d3c099-49\" data-is-intersecting=\"true\">\n<section class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [&amp;:has([data-writing-block])&gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"request-6a33c9f2-66e8-832b-9c89-274d39d3c099-49\" data-turn-id-container=\"request-6a33c9f2-66e8-832b-9c89-274d39d3c099-49\" data-testid=\"conversation-turn-106\" data-turn=\"assistant\">\n<div class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\">\n<div class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" data-conversation-screenshot-content=\"\">\n<div class=\"flex max-w-full flex-col gap-4 grow\">\n<div class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+&amp;]:mt-1\" dir=\"auto\" data-message-author-role=\"assistant\" data-message-id=\"d76e752d-7e95-4980-8742-0a3a013545b5\" data-message-model-slug=\"gpt-5-5-thinking\" data-turn-start-message=\"true\">\n<div class=\"flex w-full flex-col gap-1 empty:hidden\">\n<div class=\"markdown prose dark:prose-invert wrap-break-word w-full light markdown-new-styling\">\n<h4 data-section-id=\"11lx7vf\" data-start=\"0\" data-end=\"25\"><span class=\"ez-toc-section\" id=\"22_The_Toy_Story_Trilogy\"><\/span>22. The <em>Toy Story<\/em> Trilogy<span class=\"ez-toc-section-end\"><\/span><\/h4>\n<p data-start=\"27\" data-end=\"405\">The <em data-start=\"31\" data-end=\"42\">Toy Story<\/em> trilogy has that rare thing where it seems to grow up at the same speed as the audience. The first film is bright, funny, and ridiculously inventive, with Woody and Buzz going from jealous rivals to one of animation\u2019s <strong><a href=\"https:\/\/www.av.com\/blog\/best-movie-duos\/\" target=\"_blank\" rel=\"noopener\">best double acts<\/a><\/strong>. By <em data-start=\"282\" data-end=\"295\">Toy Story 2<\/em>, Pixar had already worked out how to make a sequel that expanded the world without losing the emotional core.<\/p>\n<p data-start=\"407\" data-end=\"796\" data-is-last-node=\"\" data-is-only-node=\"\">Then <em data-start=\"412\" data-end=\"425\">Toy Story 3<\/em> arrives and decides that, actually, a film about plastic toys should make everyone think about time, change, abandonment, and moving on. Completely normal. Tom Hanks and Tim Allen give Woody and Buzz real warmth across all three films, but the magic is how human everything feels. Before the later films carried it on, this was a near-perfect beginning, middle, and end.<\/p>\n<hr \/>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"z-0 flex min-h-[46px] justify-start\">\n<h4 data-section-id=\"dj6hsk\" data-start=\"74\" data-end=\"95\"><span class=\"ez-toc-section\" id=\"23_The_Alien_Trilogy\"><\/span>23. The <em>Alien<\/em> Trilogy<span class=\"ez-toc-section-end\"><\/span><\/h4>\n<p data-start=\"97\" data-end=\"471\">The <em data-start=\"101\" data-end=\"108\">Alien<\/em> trilogy is strange because it almost refuses to stay in one genre. <em data-start=\"176\" data-end=\"183\">Alien<\/em> is basically a haunted-house film in space, all corridors, shadows, dripping ceilings, and the horrible feeling that something is moving just out of sight. H.R. Giger\u2019s xenomorph design is still disgusting, elegant, and properly nightmarish in a way very few movie monsters have matched.<\/p>\n<p data-start=\"473\" data-end=\"886\" data-is-last-node=\"\" data-is-only-node=\"\">Then <em data-start=\"478\" data-end=\"486\">Aliens<\/em> turns the whole thing into a war movie, swapping slow dread for marines, firepower, and full-blown panic. It\u2019s brilliant, but I do think the series started chasing what was current at the time instead of sticking to what made the original so unnerving. <em data-start=\"740\" data-end=\"749\">Alien 3<\/em> is bleak, messy, and divisive, but Sigourney Weaver is incredible throughout. Personally, I\u2019d have happily kept it as pure space horror.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"pointer-events-none -mt-px h-px translate-y-[calc(var(--scroll-root-safe-area-inset-bottom)-14*var(--spacing))]\" aria-hidden=\"true\">\n<div class=\"qMYqUG_convSearchResultHighlightRoot\">\n<div class=\"\" data-turn-id-container=\"request-6a33c9f2-66e8-832b-9c89-274d39d3c099-49\" data-is-intersecting=\"true\">\n<section class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [&amp;:has([data-writing-block])&gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"request-6a33c9f2-66e8-832b-9c89-274d39d3c099-49\" data-turn-id-container=\"request-6a33c9f2-66e8-832b-9c89-274d39d3c099-49\" data-testid=\"conversation-turn-106\" data-turn=\"assistant\">\n<div class=\"z-0 flex min-h-[46px] justify-start\" style=\"text-align: left;\">\n<hr \/>\n<\/div>\n<div class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\" style=\"text-align: left;\">\n<div class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" data-conversation-screenshot-content=\"\">\n<div class=\"mt-3 w-full empty:hidden\">\n<div class=\"text-center\">\n<h4 style=\"text-align: left;\" data-section-id=\"uyr6jv\" data-start=\"0\" data-end=\"24\"><span class=\"ez-toc-section\" id=\"24_The_Die_Hard_Trilogy\"><\/span>24. The <em>Die Hard<\/em> Trilogy<span class=\"ez-toc-section-end\"><\/span><\/h4>\n<p style=\"text-align: left;\" data-start=\"26\" data-end=\"54\">\u201cWelcome to the party, pal!\u201d<\/p>\n<p style=\"text-align: left;\" data-start=\"56\" data-end=\"475\">The first three <em data-start=\"72\" data-end=\"82\">Die Hard<\/em> films are the ones that really define John McClane. <em data-start=\"135\" data-end=\"145\">Die Hard<\/em> traps him in Nakatomi Plaza with no shoes, no backup, and Alan Rickman\u2019s Hans Gruber stealing every scene with terrifying charm. <em data-start=\"275\" data-end=\"287\">Die Hard 2<\/em> takes the same festive nightmare energy to an airport, while <em data-start=\"349\" data-end=\"376\">Die Hard with a Vengeance<\/em> opens things up across New York with Samuel L. Jackson adding a brilliant extra layer of friction.<\/p>\n<p style=\"text-align: left;\" data-start=\"477\" data-end=\"928\">Bruce Willis makes McClane feel different from the muscle-bound action heroes of the era. He\u2019s bruised, sarcastic, stubborn, and usually only one bad decision away from total disaster. Hans Gruber is obviously the gold standard for charming villains, while <em data-start=\"734\" data-end=\"746\">Die Hard 2<\/em> keeps the chaos moving and <em data-start=\"774\" data-end=\"801\">Die Hard with a Vengeance<\/em> turns it into a louder, nastier New York treasure hunt. The first three &#8220;go hard&#8230;&#8221; Yippee-ki-yay, and all that.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" data-conversation-screenshot-content=\"\">\n<div class=\"mt-3 w-full empty:hidden\">\n<div class=\"text-center\">\n<div class=\"pointer-events-none -mt-px h-px translate-y-[calc(var(--scroll-root-safe-area-inset-bottom)-14*var(--spacing))]\" aria-hidden=\"true\">\n<div class=\"qMYqUG_convSearchResultHighlightRoot\">\n<div class=\"\" data-turn-id-container=\"request-6a33c9f2-66e8-832b-9c89-274d39d3c099-49\" data-is-intersecting=\"true\">\n<section class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [&amp;:has([data-writing-block])&gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"request-6a33c9f2-66e8-832b-9c89-274d39d3c099-49\" data-turn-id-container=\"request-6a33c9f2-66e8-832b-9c89-274d39d3c099-49\" data-testid=\"conversation-turn-106\" data-turn=\"assistant\">\n<div class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\">\n<div class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" data-conversation-screenshot-content=\"\">\n<div class=\"mt-3 w-full empty:hidden\">\n<div class=\"text-center\">\n<hr \/>\n<\/div>\n<\/div>\n<div class=\"qMYqUG_convSearchResultHighlightRoot\">\n<div class=\"\" data-turn-id-container=\"request-6a33c9f2-66e8-832b-9c89-274d39d3c099-9\" data-is-intersecting=\"true\">\n<section class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [&amp;:has([data-writing-block])&gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"request-6a33c9f2-66e8-832b-9c89-274d39d3c099-9\" data-turn-id-container=\"request-6a33c9f2-66e8-832b-9c89-274d39d3c099-9\" data-testid=\"conversation-turn-130\" data-turn=\"assistant\">\n<div class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\">\n<div class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" data-conversation-screenshot-content=\"\">\n<div class=\"flex max-w-full flex-col gap-4 grow\">\n<div class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+&amp;]:mt-1\" dir=\"auto\" data-message-author-role=\"assistant\" data-message-id=\"a7024efe-11ff-4f55-b627-bbf17aedc0b7\" data-message-model-slug=\"gpt-5-5-thinking\" data-turn-start-message=\"true\">\n<div class=\"flex w-full flex-col gap-1 empty:hidden\">\n<div class=\"markdown prose dark:prose-invert wrap-break-word w-full light markdown-new-styling\">\n<h4 data-section-id=\"oeabsl\" data-start=\"57\" data-end=\"99\"><span class=\"ez-toc-section\" id=\"25_The_Planet_of_the_Apes_Caesar_Trilogy\"><\/span>25. The <em>Planet of the Apes: Caesar<\/em> Trilogy<span class=\"ez-toc-section-end\"><\/span><\/h4>\n<p data-start=\"101\" data-end=\"451\">The <em>Caesar<\/em> trilogy is way better than it probably needed to be. <em data-start=\"165\" data-end=\"197\">Rise of the Planet of the Apes<\/em> starts with Caesar being raised around humans, learning from them, trusting them, and then slowly realising that the world isn\u2019t going to treat him kindly. It\u2019s not just \u201capes get smart and take over\u201d. You actually understand why he starts pulling away.<\/p>\n<p data-start=\"453\" data-end=\"870\" data-is-last-node=\"\" data-is-only-node=\"\">By <em data-start=\"456\" data-end=\"462\">Dawn<\/em>, he\u2019s trying to build something that works, while humans keep bringing their usual problems with them. Then <em data-start=\"571\" data-end=\"576\">War<\/em> pushes him into full leader mode, where every decision feels heavier because it affects more than just him. The films get darker as they go, but they never lose the emotional thread. For a modern reboot trilogy, it\u2019s surprisingly strong, and Caesar\u2019s journey is easily the best thing about it.<\/p>\n<hr \/>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"pointer-events-none -mt-px h-px translate-y-[calc(var(--scroll-root-safe-area-inset-bottom)-14*var(--spacing))]\" aria-hidden=\"true\">\n<h4 style=\"text-align: left;\" data-start=\"45\" data-end=\"429\"><span class=\"ez-toc-section\" id=\"26_The_Apocalypse_Trilogy\"><\/span>26. The\u00a0<em>Apocalypse\u00a0<\/em>Trilogy<span class=\"ez-toc-section-end\"><\/span><\/h4>\n<p style=\"text-align: left;\" data-start=\"45\" data-end=\"429\">John Carpenter\u2019s<em> Apocalypse<\/em> Trilogy is about that horrible feeling that something is wrong and it\u2019s already too late to do anything about it. <em data-start=\"197\" data-end=\"208\">The Thing<\/em> is the obvious heavyweight, with a group of men trapped in the snow, slowly realising that anyone around them might not be human anymore. It\u2019s paranoia, body horror, and practical effects doing genuinely disgusting work.<\/p>\n<p style=\"text-align: left;\" data-start=\"431\" data-end=\"857\" data-is-last-node=\"\" data-is-only-node=\"\"><em data-start=\"431\" data-end=\"451\">Prince of Darkness<\/em> goes stranger, mixing science, religion, and evil in a way that feels grubby and unsettling rather than polished. Then <em data-start=\"571\" data-end=\"596\">In the Mouth of Madness<\/em> leans into reality falling apart completely, with Sam Neill caught in a story that seems to be writing itself around him. They\u2019re not connected by characters, but by that classic Carpenter feeling: the world is ending, and nobody is really equipped to stop it.<\/p>\n<\/div>\n<\/section>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"pointer-events-none -mt-px h-px translate-y-[calc(var(--scroll-root-safe-area-inset-bottom)-14*var(--spacing))]\" style=\"text-align: left;\" aria-hidden=\"true\">\n<hr \/>\n<\/div>\n<div style=\"text-align: left;\" aria-hidden=\"true\">\n<h4 data-section-id=\"rvx2n3\" data-start=\"116\" data-end=\"162\"><span class=\"ez-toc-section\" id=\"27_The_Kinski_Madness_Trilogy\"><\/span>27. The Kinski Madness Trilogy<span class=\"ez-toc-section-end\"><\/span><\/h4>\n<p class=\"isSelectedEnd\">We love Werner Herzog in this house. <em>Aguirre, the Wrath of God<\/em>, <em>Fitzcarraldo<\/em> and <em>Cobra Verde<\/em> aren&#8217;t a trilogy in the traditional sense, but they feel connected because they all grew out of the same gloriously chaotic creative partnership. Watching Werner Herzog capture Klaus Kinski spiralling into madness, while everyone else hangs on for dear life, is unlike anything else in cinema.<\/p>\n<p><em>Aguirre<\/em> follows a doomed Spanish expedition searching for El Dorado, with Kinski slowly becoming the worst possible man to be stranded in the jungle with. <em>Fitzcarraldo<\/em> centres on a rubber baron determined to build an opera house in the Amazon, which somehow involves dragging a steamship over a hill. <em>Cobra Verde<\/em> then sees Kinski play a Brazilian outlaw sent to West Africa, where power and madness follow him once again.<\/p>\n<p>The behind-the-scenes stories are just as unhinged, including Herzog&#8217;s claim that he threatened Kinski when the actor tried to leave <em>Aguirre<\/em>, and that a local Indigenous chief even offered to kill Kinski for him. Herzog, apparently, refused.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\">\n<div class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" data-conversation-screenshot-content=\"\">\n<div class=\"mt-3 w-full empty:hidden\" style=\"text-align: left;\">\n<hr \/>\n<h4><span class=\"ez-toc-section\" id=\"28_The_Urban_Loneliness_Trilogy\"><\/span>28. The\u00a0<em>Urban Loneliness\u00a0<\/em>Trilogy<span class=\"ez-toc-section-end\"><\/span><\/h4>\n<p>Wong Kar-wai\u2019s\u00a0<em>Urban Loneliness<\/em>\u00a0Trilogy is basically about being surrounded by people and still feeling completely on your own.\u00a0<em>Chungking Express<\/em>,\u00a0<em>Fallen Angels<\/em>, and\u00a0<em>Happy Together<\/em>\u00a0aren\u2019t linked by plot, but they all sit in that same space where modern life feels fast, crowded, and weirdly disconnected.<\/p>\n<p>Seen as social commentary, they say a lot about city living in the \u201990s: People working late, eating alone, missing calls, falling for strangers, and trying to find meaning in tiny routines.<\/p>\n<p><em>Chungking Express<\/em>\u00a0has that restless Hong Kong energy,\u00a0<em>Fallen Angels<\/em>\u00a0pushes it into something darker and more nocturnal, and\u00a0<em>Happy Together<\/em>\u00a0takes the loneliness abroad with Tony Leung and Leslie Cheung drifting through a relationship that keeps hurting them. It\u2019s beautiful, but far from comforting.<\/p>\n<hr \/>\n<h4><span class=\"ez-toc-section\" id=\"29_The_Fast_Furious_Trilogy\"><\/span>29. The <em>Fast &amp; Furious<\/em> Trilogy<span class=\"ez-toc-section-end\"><\/span><\/h4>\n<p>Before the <em>Fast &amp; Furious<\/em> films became global spy missions with cars falling out of planes, they were still just about street racing, tuned imports, dodgy garages, and people acting like a quarter-mile race was a sacred life event.<\/p>\n<p>The <em>Fast and the Furious, 2 Fast 2 Furious<\/em>, and <em>Tokyo Drift<\/em> capture a very specific early-2000s car culture: Neon underglow, NOS bottles, body kits, chrome wheels, loud exhausts, and everyone pretending a laptop in the passenger seat made them a mechanical genius. It\u2019s ridiculous, but it\u2019s also culturally massive.<\/p>\n<p>These films made Japanese performance cars feel mythical to a whole generation, especially the Mk4 Toyota Supra. Honestly, <em>Fast &amp; Furious<\/em> is a big reason an A80 Supra can now sit around, and well above, the \u00a340k mark in the UK, depending on spec and condition. don\u2019t even ask about an R34\u2026 Thanks, fast and furious.<\/p>\n<hr \/>\n<h4><span class=\"ez-toc-section\" id=\"30_The_Ip_Man_Trilogy\"><\/span>30. The <em>Ip Man<\/em> Trilogy<span class=\"ez-toc-section-end\"><\/span><\/h4>\n<p>The <em>Ip Man<\/em> trilogy is just really good martial arts cinema. Donnie Yen is great as Ip Man, playing him as calm, polite, and quietly hard as nails. He\u2019s not shouting his way through every scene or trying to look tough.<\/p>\n<p>The films follow Ip Man through war, family life, and his move into teaching Wing Chun, with the fight scenes doing a lot of the heavy lifting. They\u2019re fast, clean, and easy to follow, which sounds basic but makes a huge difference.<\/p>\n<p><em>Ip Man 2<\/em> brings in Sammo Hung, <em>Ip Man 3<\/em> somehow has Mike Tyson in it, and all three films make Wing Chun look dangerously cool. It\u2019s the kind of trilogy that makes you briefly consider practising chain punches in your bedroom.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/RBYbqO_FUA4?si=9MHlWE7Zlk4i3H72\" width=\"600\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe>\u00a0<\/p>\n<\/section>\n<\/div>\n<\/div>\n<\/div>\n<hr \/>\n<div class=\"pointer-events-none -mt-px h-px translate-y-[calc(var(--scroll-root-safe-area-inset-bottom)-14*var(--spacing))]\" aria-hidden=\"true\">\n<div class=\"qMYqUG_convSearchResultHighlightRoot\">\n<div class=\"\" data-turn-id-container=\"request-6a33c9f2-66e8-832b-9c89-274d39d3c099-49\" data-is-intersecting=\"true\">\n<section class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [&amp;:has([data-writing-block])&gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"request-6a33c9f2-66e8-832b-9c89-274d39d3c099-49\" data-turn-id-container=\"request-6a33c9f2-66e8-832b-9c89-274d39d3c099-49\" data-testid=\"conversation-turn-106\" data-turn=\"assistant\">\n<div class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\">\n<div class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" data-conversation-screenshot-content=\"\">\n<div class=\"mt-3 w-full empty:hidden\">\n<div class=\"text-center\">\n<div class=\"qMYqUG_convSearchResultHighlightRoot\">\n<div class=\"\" data-turn-id-container=\"request-6a33c9f2-66e8-832b-9c89-274d39d3c099-19\" data-is-intersecting=\"true\">\n<section class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [&amp;:has([data-writing-block])&gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"request-6a33c9f2-66e8-832b-9c89-274d39d3c099-19\" data-turn-id-container=\"request-6a33c9f2-66e8-832b-9c89-274d39d3c099-19\" data-testid=\"conversation-turn-150\" data-turn=\"assistant\">\n<div class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\">\n<div class=\"qMYqUG_convSearchResultHighlightRoot\">\n<div class=\"\" data-turn-id-container=\"request-6a33c9f2-66e8-832b-9c89-274d39d3c099-26\" data-is-intersecting=\"true\">\n<section class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [&amp;:has([data-writing-block])&gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"request-6a33c9f2-66e8-832b-9c89-274d39d3c099-26\" data-turn-id-container=\"request-6a33c9f2-66e8-832b-9c89-274d39d3c099-26\" data-testid=\"conversation-turn-164\" data-turn=\"assistant\">\n<div class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\">\n<div class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" data-conversation-screenshot-content=\"\">\n<div class=\"flex max-w-full flex-col gap-4 grow\">\n<div class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+&amp;]:mt-1\" dir=\"auto\" data-message-author-role=\"assistant\" data-message-id=\"d3a09971-d185-42af-bb8c-c7338fbeebba\" data-message-model-slug=\"gpt-5-5-thinking\" data-turn-start-message=\"true\">\n<div class=\"flex w-full flex-col gap-1 empty:hidden\">\n<div class=\"markdown prose dark:prose-invert wrap-break-word w-full light markdown-new-styling\">\n<h4><span class=\"ez-toc-section\" id=\"31_The_Jurassic_Park_Trilogy\"><\/span>31. The <em>Jurassic Park<\/em> Trilogy<span class=\"ez-toc-section-end\"><\/span><\/h4>\n<p>The first <em>Jurassic Park<\/em> is still magic. Not \u201cgood for its age\u201d, not just \u201cimportant because of the effects\u201d. Just magic. The dinosaurs feel believable in a way the modern <em>Jurassic World<\/em> films never quite manage, even with newer technology. Spielberg gives them space and just enough mystery, which makes the whole thing feel weirdly plausible for a film about a billionaire building a theme park full of prehistoric murder lizards.<\/p>\n<p>The sequels are messier, but they still have that original <em>Jurassic Park<\/em> feeling before the franchise started chasing genetically engineered super-dinosaurs. <em>The Lost World<\/em> brings in more chaos and gives Jeff Goldblum centre stage, while Jurassic Park III is basically a short, sharp dinosaur survival film with a phone ringing inside a Spinosaurus.<\/p>\n<p>The first film is clearly the giant of the three, but the original trilogy still captures that perfect sense of wonder mixed with \u201cmaybe humans should stop touching things\u201d.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n<\/div>\n<\/div>\n<\/div>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;Create your own home cinema&#8221; 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global_colors_info=&#8221;{}&#8221;][et_pb_text admin_label=&#8221;Hisense PX3-PRO 4K Ultra Short Throw Laser TriChroma Projector&#8221; _builder_version=&#8221;4.18.0&#8243; _module_preset=&#8221;default&#8221; custom_padding=&#8221;20px||||false|false&#8221; link_option_url=&#8221;https:\/\/www.av.com\/TV-and-Projectors\/Hisense-PX3-PRO-4K-Ultra-Short-Throw-Laser-TriChroma-Projector-Grey\/6R1A&#8221; link_option_url_new_window=&#8221;on&#8221; border_width_top=&#8221;2px&#8221; border_color_top=&#8221;gcid-45928375-1fd3-4d7e-b1f0-0adee316b54f&#8221; global_colors_info=&#8221;{%22gcid-45928375-1fd3-4d7e-b1f0-0adee316b54f%22:%91%22border_color_top%22%93}&#8221;]<\/p>\n<h4 style=\"text-align: center;\" data-section-id=\"1m1nixv\" data-start=\"342\" data-end=\"408\"><span class=\"ez-toc-section\" id=\"Hisense_PX3-PRO_Projector\"><\/span>Hisense PX3-PRO Projector<span class=\"ez-toc-section-end\"><\/span><\/h4>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-48797 aligncenter size-medium\" src=\"https:\/\/www.av.com\/blog\/wp-content\/uploads\/2026\/06\/Hisense-PX3-PRO-4K-Ultra-Short-Throw-Laser-TriChroma-Projector-300x300.jpg\" alt=\"Hisense PX3-PRO 4K Ultra Short Throw Laser TriChroma Projector\" width=\"300\" height=\"300\" \/><\/p>\n<ul style=\"text-align: left;\" data-start=\"410\" data-end=\"561\">\n<li data-section-id=\"gavw8a\" data-start=\"410\" data-end=\"460\">4K resolution<\/li>\n<li data-section-id=\"16mycbt\" data-start=\"461\" data-end=\"508\">Ultra-short-throw projects up to 150 inches<\/li>\n<li data-section-id=\"1i826j6\" data-start=\"509\" data-end=\"561\">TriChroma laser<\/li>\n<\/ul>\n<p>[\/et_pb_text][et_pb_button button_url=&#8221;https:\/\/www.av.com\/TV-and-Projectors\/Hisense-PX3-PRO-4K-Ultra-Short-Throw-Laser-TriChroma-Projector-Grey\/6R1A&#8221; url_new_window=&#8221;on&#8221; button_text=&#8221;SHOP NOW &#8221; button_alignment=&#8221;center&#8221; _builder_version=&#8221;4.18.0&#8243; _module_preset=&#8221;default&#8221; custom_button=&#8221;on&#8221; button_text_size=&#8221;14px&#8221; button_text_color=&#8221;#FFFFFF&#8221; button_bg_color=&#8221;#0e95cf&#8221; button_border_width=&#8221;0px&#8221; button_border_color=&#8221;#0e95cf&#8221; button_font=&#8221;Arial|700|||||||&#8221; button_icon=&#8221;&#x35;||divi||400&#8243; button_icon_color=&#8221;#FFFFFF&#8221; custom_padding=&#8221;10px|30px|10px|30px|false|false&#8221; box_shadow_style=&#8221;preset6&#8243; box_shadow_blur=&#8221;2px&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_button][\/et_pb_column][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;4.18.0&#8243; _module_preset=&#8221;default&#8221; background_color=&#8221;#ffffff&#8221; custom_padding=&#8221;20px|20px|20px|20px|false|false&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text admin_label=&#8221;XGIMI Halo+ GTV 1080P Full HD Portable Projector&#8221; _builder_version=&#8221;4.18.0&#8243; _module_preset=&#8221;default&#8221; custom_padding=&#8221;20px||||false|false&#8221; link_option_url=&#8221;https:\/\/www.av.com\/TV-and-Projectors\/XGIMI-Haloand-GTV-1080P-Full-HD-Portable-Projector\/7Z17&#8243; link_option_url_new_window=&#8221;on&#8221; border_width_top=&#8221;2px&#8221; border_color_top=&#8221;gcid-45928375-1fd3-4d7e-b1f0-0adee316b54f&#8221; global_colors_info=&#8221;{%22gcid-45928375-1fd3-4d7e-b1f0-0adee316b54f%22:%91%22border_color_top%22%93}&#8221;]<\/p>\n<h4 style=\"text-align: center;\" data-section-id=\"qsybsd\" data-start=\"842\" data-end=\"894\"><span class=\"ez-toc-section\" id=\"XGIMI_Halo_Projector\"><\/span>XGIMI Halo+ Projector<span class=\"ez-toc-section-end\"><\/span><\/h4>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-48798 aligncenter size-medium\" src=\"https:\/\/www.av.com\/blog\/wp-content\/uploads\/2026\/06\/XGIMI-Halo-GTV-1080P-Full-HD-Portable-Projector-300x300.jpg\" alt=\"XGIMI Halo+ GTV 1080P Full HD Portable Projector\" width=\"300\" height=\"300\" \/><\/p>\n<ul style=\"text-align: left;\" data-start=\"896\" data-end=\"1022\">\n<li data-section-id=\"8fct1q\" data-start=\"896\" data-end=\"938\">1080p Full HD suits casual film nights<\/li>\n<li data-section-id=\"95oruz\" data-start=\"939\" data-end=\"985\">Built-in battery<\/li>\n<li data-section-id=\"6t9ju5\" data-start=\"986\" data-end=\"1022\">Google TV<\/li>\n<\/ul>\n<p>[\/et_pb_text][et_pb_button button_url=&#8221;https:\/\/www.av.com\/TV-and-Projectors\/XGIMI-Haloand-GTV-1080P-Full-HD-Portable-Projector\/7Z17&#8243; url_new_window=&#8221;on&#8221; button_text=&#8221;SHOP NOW &#8221; button_alignment=&#8221;center&#8221; _builder_version=&#8221;4.18.0&#8243; _module_preset=&#8221;default&#8221; custom_button=&#8221;on&#8221; button_text_size=&#8221;14px&#8221; button_text_color=&#8221;#FFFFFF&#8221; button_bg_color=&#8221;#0e95cf&#8221; button_border_width=&#8221;0px&#8221; button_border_color=&#8221;#0e95cf&#8221; button_font=&#8221;Arial|700|||||||&#8221; button_icon=&#8221;&#x35;||divi||400&#8243; button_icon_color=&#8221;#FFFFFF&#8221; custom_padding=&#8221;10px|30px|10px|30px|false|false&#8221; box_shadow_style=&#8221;preset6&#8243; box_shadow_blur=&#8221;2px&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_button][\/et_pb_column][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;4.18.0&#8243; _module_preset=&#8221;default&#8221; background_color=&#8221;#ffffff&#8221; custom_padding=&#8221;20px|20px|20px|20px|false|false&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text admin_label=&#8221;Sapphire 16:9 ALR Projector Screen, 100%22&#8243; _builder_version=&#8221;4.18.0&#8243; _module_preset=&#8221;default&#8221; custom_padding=&#8221;20px||||false|false&#8221; link_option_url=&#8221;https:\/\/www.av.com\/TV-and-Projectors\/Sapphire-169-ALR-Projector-Screen-100\/5V0I&#8221; link_option_url_new_window=&#8221;on&#8221; border_width_top=&#8221;2px&#8221; border_color_top=&#8221;gcid-45928375-1fd3-4d7e-b1f0-0adee316b54f&#8221; global_colors_info=&#8221;{%22gcid-45928375-1fd3-4d7e-b1f0-0adee316b54f%22:%91%22border_color_top%22%93}&#8221;]<\/p>\n<h4 style=\"text-align: center;\" data-section-id=\"17nf4si\" data-start=\"1303\" data-end=\"1347\"><span class=\"ez-toc-section\" id=\"Sapphire_16_9_Screen\"><\/span>Sapphire 16:9 Screen<span class=\"ez-toc-section-end\"><\/span><\/h4>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-48799 aligncenter size-medium\" src=\"https:\/\/www.av.com\/blog\/wp-content\/uploads\/2026\/06\/Sapphire-169-ALR-Projector-Screen-100-300x300.jpg\" alt=\"Sapphire 16:9 ALR Projector Screen, 100\" width=\"300\" height=\"300\" \/><\/p>\n<ul data-start=\"1349\" data-end=\"1479\">\n<li style=\"text-align: left;\" data-section-id=\"1p9rpq\" data-start=\"1349\" data-end=\"1390\">ALR design helps reject ambient light<\/li>\n<li style=\"text-align: left;\" data-section-id=\"1n6ofn3\" data-start=\"1391\" data-end=\"1432\">100-inch size<\/li>\n<li style=\"text-align: left;\" data-section-id=\"1jns7wn\" data-start=\"1433\" data-end=\"1479\">Ultra-narrow bezel<\/li>\n<\/ul>\n<p>[\/et_pb_text][et_pb_button button_url=&#8221;https:\/\/www.av.com\/TV-and-Projectors\/Sapphire-169-ALR-Projector-Screen-100\/5V0I&#8221; url_new_window=&#8221;on&#8221; button_text=&#8221;SHOP NOW &#8221; button_alignment=&#8221;center&#8221; _builder_version=&#8221;4.18.0&#8243; _module_preset=&#8221;default&#8221; custom_button=&#8221;on&#8221; button_text_size=&#8221;14px&#8221; button_text_color=&#8221;#FFFFFF&#8221; button_bg_color=&#8221;#0e95cf&#8221; button_border_width=&#8221;0px&#8221; button_border_color=&#8221;#0e95cf&#8221; button_font=&#8221;Arial|700|||||||&#8221; button_icon=&#8221;&#x35;||divi||400&#8243; button_icon_color=&#8221;#FFFFFF&#8221; custom_padding=&#8221;10px|30px|10px|30px|false|false&#8221; box_shadow_style=&#8221;preset6&#8243; box_shadow_blur=&#8221;2px&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.18.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.18.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text admin_label=&#8221;FAQs&#8221; _builder_version=&#8221;4.18.0&#8243; _module_preset=&#8221;default&#8221; custom_padding=&#8221;20px||||false|false&#8221; border_width_top=&#8221;2px&#8221; border_color_top=&#8221;gcid-45928375-1fd3-4d7e-b1f0-0adee316b54f&#8221; global_colors_info=&#8221;{%22gcid-45928375-1fd3-4d7e-b1f0-0adee316b54f%22:%91%22border_color_top%22%93}&#8221;]<\/p>\n<div class=\"qMYqUG_convSearchResultHighlightRoot\">\n<div class=\"\" data-turn-id-container=\"request-6a33c9f2-66e8-832b-9c89-274d39d3c099-19\" data-is-intersecting=\"true\">\n<section class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [&amp;:has([data-writing-block])&gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"request-6a33c9f2-66e8-832b-9c89-274d39d3c099-19\" data-turn-id-container=\"request-6a33c9f2-66e8-832b-9c89-274d39d3c099-19\" data-testid=\"conversation-turn-150\" data-turn=\"assistant\">\n<div class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\">\n<div class=\"qMYqUG_convSearchResultHighlightRoot\">\n<div class=\"\" data-turn-id-container=\"request-6a33c9f2-66e8-832b-9c89-274d39d3c099-26\" data-is-intersecting=\"true\">\n<section class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [&amp;:has([data-writing-block])&gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"request-6a33c9f2-66e8-832b-9c89-274d39d3c099-26\" data-turn-id-container=\"request-6a33c9f2-66e8-832b-9c89-274d39d3c099-26\" data-testid=\"conversation-turn-164\" data-turn=\"assistant\">\n<div class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\">\n<div class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" data-conversation-screenshot-content=\"\">\n<div class=\"mt-3 w-full empty:hidden\">\n<h3><span class=\"ez-toc-section\" id=\"FAQs\"><\/span>FAQs<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<\/div>\n<\/div>\n<h4><span class=\"ez-toc-section\" id=\"What_is_the_most_successful_movie_trilogy\"><\/span>What is the most successful movie trilogy?<span class=\"ez-toc-section-end\"><\/span><\/h4>\n<p>The <em>Avatar<\/em> trilogy is the most successful movie trilogy by worldwide box office. <em>Avatar, Avatar: The Way of Water<\/em> and <em>Avatar: Fire and Ash<\/em> combine record-breaking global earnings with long-running audience demand. We didn&#8217;t pick it as one of our absolute favourites, but as the numbers show, it&#8217;s certainly one of the most successful.<\/p>\n<hr \/>\n<h4><span class=\"ez-toc-section\" id=\"What_are_the_top_3_movies_of_all_time\"><\/span>What are the top 3 movies of all time?<span class=\"ez-toc-section-end\"><\/span><\/h4>\n<p>The top three movies of all time by worldwide box office are <em>Avatar, Avengers: Endgame<\/em> and <em>Avatar: The Way of Water<\/em>. These films lead global rankings because of massive theatrical runs, repeat viewing, and international appeal.<\/p>\n<hr \/>\n<h4><span class=\"ez-toc-section\" id=\"Which_film_had_24_sequels\"><\/span>Which film had 24 sequels?<span class=\"ez-toc-section-end\"><\/span><\/h4>\n<\/div>\n<\/section>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n<\/div>\n<\/div>\n<div class=\"qMYqUG_convSearchResultHighlightRoot\">\n<div class=\"\" data-turn-id-container=\"request-WEB:5da9c808-d9cd-49e7-aa89-86410a4ff0b9-50\" data-is-intersecting=\"true\">\n<section class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [&amp;:has([data-writing-block])&gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"request-WEB:5da9c808-d9cd-49e7-aa89-86410a4ff0b9-50\" data-turn-id-container=\"request-WEB:5da9c808-d9cd-49e7-aa89-86410a4ff0b9-50\" data-testid=\"conversation-turn-4\" data-turn=\"assistant\">\n<div class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\">\n<div class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" data-conversation-screenshot-content=\"\">\n<div class=\"flex max-w-full flex-col gap-4 grow\">\n<div class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+&amp;]:mt-1\" dir=\"auto\" data-message-author-role=\"assistant\" data-message-id=\"e7944889-0fc9-4a62-bffd-881b41d72006\" data-turn-start-message=\"true\" data-message-model-slug=\"gpt-5-5-thinking\">\n<div class=\"flex w-full flex-col gap-1 empty:hidden\">\n<div class=\"markdown prose dark:prose-invert wrap-break-word w-full light markdown-new-styling\">\n<p data-start=\"515\" data-end=\"750\" data-is-last-node=\"\" data-is-only-node=\"\">The film franchise with 24 sequels is <em>James Bond<\/em>. It&#8217;s been going since 1962, and at the time of writing, there are 25 official films and two unofficial\/non-canon films. Seven actors in total have played 007.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n<\/div>\n<\/div>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;Final thoughts&#8221; _builder_version=&#8221;4.18.0&#8243; _module_preset=&#8221;default&#8221; custom_padding=&#8221;20px||||false|false&#8221; border_width_top=&#8221;2px&#8221; border_color_top=&#8221;gcid-45928375-1fd3-4d7e-b1f0-0adee316b54f&#8221; global_colors_info=&#8221;{%22gcid-45928375-1fd3-4d7e-b1f0-0adee316b54f%22:%91%22border_color_top%22%93}&#8221;]<\/p>\n<div class=\"qMYqUG_convSearchResultHighlightRoot\">\n<div class=\"\" data-turn-id-container=\"request-6a33c9f2-66e8-832b-9c89-274d39d3c099-19\" data-is-intersecting=\"true\">\n<section class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [&amp;:has([data-writing-block])&gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"request-6a33c9f2-66e8-832b-9c89-274d39d3c099-19\" data-turn-id-container=\"request-6a33c9f2-66e8-832b-9c89-274d39d3c099-19\" data-testid=\"conversation-turn-150\" data-turn=\"assistant\">\n<div class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\">\n<div class=\"qMYqUG_convSearchResultHighlightRoot\">\n<div class=\"\" data-turn-id-container=\"request-6a33c9f2-66e8-832b-9c89-274d39d3c099-26\" data-is-intersecting=\"true\">\n<section class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [&amp;:has([data-writing-block])&gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"request-6a33c9f2-66e8-832b-9c89-274d39d3c099-26\" data-turn-id-container=\"request-6a33c9f2-66e8-832b-9c89-274d39d3c099-26\" data-testid=\"conversation-turn-164\" data-turn=\"assistant\">\n<div class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\">\n<div class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" data-conversation-screenshot-content=\"\">\n<div class=\"mt-3 w-full empty:hidden\">\n<h3><span class=\"ez-toc-section\" id=\"Final_thoughts\"><\/span>Final thoughts<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<div class=\"qMYqUG_convSearchResultHighlightRoot\">\n<div class=\"\" data-turn-id-container=\"request-6a33c9f2-66e8-832b-9c89-274d39d3c099-19\" data-is-intersecting=\"true\">\n<section class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [&amp;:has([data-writing-block])&gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"request-6a33c9f2-66e8-832b-9c89-274d39d3c099-19\" data-turn-id-container=\"request-6a33c9f2-66e8-832b-9c89-274d39d3c099-19\" data-testid=\"conversation-turn-150\" data-turn=\"assistant\">\n<div class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\">\n<div class=\"pointer-events-none -mt-px h-px translate-y-[calc(var(--scroll-root-safe-area-inset-bottom)-14*var(--spacing))]\" aria-hidden=\"true\">\n<p data-start=\"19\" data-end=\"424\">So there we have it, 31 of the<strong> best movie trilogies<\/strong> of all time (in our opinion). Some are neat three-film arcs with a clear beginning and end. Others are looser, tied together by a director, a theme, or a shared mood rather than one continuous story. That is why you get traditional trilogies like <em data-start=\"301\" data-end=\"324\">The Lord of the Rings<\/em> sitting alongside things like Carpenter\u2019s<em> Apocalypse<\/em> or Park Chan-wook\u2019s <em>Vengeance<\/em>.<\/p>\n<p data-start=\"426\" data-end=\"706\">That is part of what makes trilogies interesting. They&#8217;re not always just \u201cpart one, part two, part three\u201d. Sometimes they&#8217;re a filmmaker returning to the same ideas from different angles, or a set of films that feel connected because they&#8217;re all wrestling with the same thing.<\/p>\n<p data-start=\"708\" data-end=\"1054\" data-is-last-node=\"\" data-is-only-node=\"\">Of course, no list like this is ever going to please everyone. There will be missing favourites, debatable choices, and at least one trilogy you think should have been nowhere near it. Fair enough. But whether you&#8217;re here for sci-fi, fantasy, horror, comedy, martial arts, or a man in a hat punching Nazis, there is plenty here worth revisiting.<\/p>\n<\/div>\n<\/div>\n<\/section>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n<\/div>\n<\/div>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_2,1_2&#8243; _builder_version=&#8221;4.18.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.18.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_button button_url=&#8221;https:\/\/www.av.com\/home-cinema&#8221; url_new_window=&#8221;on&#8221; button_text=&#8221;SHOP HOME CINEMA&#8221; button_alignment=&#8221;center&#8221; _builder_version=&#8221;4.18.0&#8243; _module_preset=&#8221;default&#8221; custom_button=&#8221;on&#8221; button_text_size=&#8221;14px&#8221; button_text_color=&#8221;#FFFFFF&#8221; button_bg_color=&#8221;#0e95cf&#8221; button_border_width=&#8221;0px&#8221; button_border_color=&#8221;#0e95cf&#8221; button_font=&#8221;Arial|700|||||||&#8221; button_icon=&#8221;&#x35;||divi||400&#8243; button_icon_color=&#8221;#FFFFFF&#8221; custom_padding=&#8221;10px|30px|10px|30px|false|false&#8221; box_shadow_style=&#8221;preset6&#8243; box_shadow_blur=&#8221;2px&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_button][\/et_pb_column][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.18.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_button button_url=&#8221;https:\/\/www.av.com\/blog\/category\/home-cinema\/home-cinema-guides\/&#8221; url_new_window=&#8221;on&#8221; button_text=&#8221;READ MORE HOME CINEMA GUIDES&#8221; button_alignment=&#8221;center&#8221; _builder_version=&#8221;4.18.0&#8243; _module_preset=&#8221;default&#8221; custom_button=&#8221;on&#8221; button_text_size=&#8221;14px&#8221; button_text_color=&#8221;#FFFFFF&#8221; button_bg_color=&#8221;#0e95cf&#8221; button_border_width=&#8221;0px&#8221; button_border_color=&#8221;#0e95cf&#8221; button_font=&#8221;Arial|700|||||||&#8221; button_icon=&#8221;&#x35;||divi||400&#8243; button_icon_color=&#8221;#FFFFFF&#8221; custom_padding=&#8221;10px|30px|10px|30px|false|false&#8221; box_shadow_style=&#8221;preset6&#8243; box_shadow_blur=&#8221;2px&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_button][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>For this list, the rest of the AV.com team and I have chosen our favourite trilogies, from sci-fi and fantasy to horror, comedy, animation, martial arts, superheroes, and more.<\/p>\n","protected":false},"author":16,"featured_media":48794,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_et_pb_use_builder":"on","_et_pb_old_content":"<p data-start=\"107\" data-end=\"397\"><span style=\"color: #999999;\">Featured Image:\u00a0<em>The Matrix\u00a0<\/em>(1999), Warner Bros., Village Roadshow Pictures, Silver Pictures<\/span><\/p><p data-start=\"107\" data-end=\"397\">They say all good things come in threes, which is probably why film trilogies feel so satisfying when they actually work. One great film is hard enough, but three that feel connected, worthwhile, and not just made because the first one did well at the box office? That is a much bigger ask.<\/p><p data-start=\"399\" data-end=\"818\">The <strong data-start=\"403\" data-end=\"427\">best movie trilogies<\/strong> give you a proper sense of time spent in a world. You get to see characters change and stories develop into something bigger or quietly fall apart by the third film. And honestly, that unevenness is part of the fun. Some trilogies are near-perfect from start to finish. Some are carried by one brilliant entry. Some have a third film that everyone politely talks around.<\/p><p data-start=\"820\" data-end=\"1159\">For this list, the rest of the AV.com team and I have chosen our favourite trilogies, from sci-fi and fantasy to horror, comedy, animation, martial arts, superheroes, and more. The \"best\" is subjective, of course; not every pick is flawless, and I\u2019m sure there are a few choices here that will annoy someone somewhere. That is sort of the point.<\/p><hr \/><h3 data-section-id=\"1b2lc0o\" data-start=\"262\" data-end=\"276\">In a hurry?<\/h3><p data-start=\"278\" data-end=\"377\">Not got time to go through all 31? Fair enough. Here are the top three movie trilogies on our list.<\/p><p><strong>1. <em>The Matrix<\/em> Trilogy<\/strong><\/p><p data-start=\"406\" data-end=\"788\">The first <em data-start=\"416\" data-end=\"424\">Matrix<\/em> is still one of the most important sci-fi films ever made. The sequels are more divisive, but as a trilogy, it has more than earned its place here. It changed how action films looked, made cyber paranoia feel strangely cool, and gave us a version of Keanu Reeves that basically defined an era. Also, watching him do kung fu in a trench coat still works. Obviously.<\/p><p><strong>2. <em>Indiana Jones<\/em> Original Trilogy<\/strong><\/p><p data-start=\"829\" data-end=\"1244\">The original <em data-start=\"842\" data-end=\"857\">Indiana Jones<\/em> trilogy is adventure cinema done properly. <em data-start=\"901\" data-end=\"926\">Raiders of the Lost Ark<\/em>, <em data-start=\"928\" data-end=\"944\">Temple of Doom<\/em>, and <em data-start=\"950\" data-end=\"968\">The Last Crusade<\/em> all have that old-school serial feel, with hidden temples, ancient myths, and Harrison Ford being effortlessly charming throughout. What makes it hold up is that Indy actually grows across the three films, gaining a bit more warmth and emotional weight as the series goes on.<\/p><p><strong>3. <em>Star Wars<\/em> Original Trilogy<\/strong><\/p><p data-start=\"1281\" data-end=\"1681\" data-is-last-node=\"\" data-is-only-node=\"\">The original <em data-start=\"1294\" data-end=\"1305\">Star Wars<\/em> trilogy is the obvious pick, but it is obvious for a reason. It gave us one of cinema\u2019s most recognisable worlds, with characters, designs, music, and moments that are still everywhere decades later. It is scrappy in places, but that is part of the charm. Big mythic storytelling, a weird sense of humour, and Darth Vader doing Darth Vader things. Hard to argue with, really.<\/p><hr \/><h3>The best movie trilogies<\/h3><h4>1. <em>The Matrix<\/em> Trilogy<\/h4><p>I saw <i>The Matrix<\/i> before <i>Star Wars: Episode III<\/i> came out, so I must have been about six. Did I understand the deeper ideas about faith, control, and Neo as a messianic figure? Absolutely not. Did I enjoy watching Keanu Reeves do kung fu in a trench coat? Completely.<\/p><p>Directed by the Wachowskis, the trilogy follows Neo as he discovers reality is a simulation and joins Morpheus and Trinity in the fight against the machines. The sequels are more divisive, but the original is still one of the most important sci-fi films ever made. Its bullet time effects, gun-fu action, leather-coated cool, and early-2000s cyber paranoia changed how action cinema looked and felt.<\/p><p>It made technology feel exciting, frightening, and very, very stylish. It's safe to say this trilogy, for various reasons, changed my life.<\/p><hr \/><h4>2. The <em>Indiana Jones<\/em> Original Trilogy<\/h4><p>The original <em>Indiana Jones<\/em> trilogy nails that old-school adventure feel, from the map transitions and red travel line to the hidden temples, ancient myths, and creepy occult danger. Directed by Steven Spielberg and led by Harrison Ford at his most effortlessly charming, Raiders of the Lost Ark, Temple of Doom, and The Last Crusade helped define the modern action-adventure film.<\/p><p>What makes the trilogy so satisfying is that Indy actually grows across the three films. He starts as the cool, whip-cracking archaeologist, but by Temple of Doom and The Last Crusade, there\u2019s more warmth, fear, and emotional weight to him. I loved it enough that, on a trip to Venice, I made it my mission to find the library from <em>The Last Crusade<\/em>.<\/p><hr \/><h4>3. The <em>Star Wars<\/em> Original Trilogy<\/h4><p>What can be said about the original Star Wars trilogy that hasn\u2019t already been said? It\u2019s genre-defining cinema, obviously, but it also has this slightly camp, late-'70s, almost Doctor Who-ish charm that makes it feel weirdly perfect.<\/p><p>George Lucas created a universe that felt huge from the start, with <em>The Empire Strikes Back<\/em> and <em>Return of the Jedi<\/em> carrying that story into darker, stranger, and more emotional places. Luke, Leia, Han, Vader, Chewie, the droids; everyone feels instantly iconic, but still scrappy enough to be lovable. It\u2019s mythic without being too polished, silly without being stupid, and somehow still completely timeless.<\/p><p>And honestly, if you thought the original Star Wars trilogy wouldn\u2019t make this list, I\u2019d find your lack of faith disturbing.<\/p><p><iframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/XHk5kCIiGoM?si=c8Gchc0KVnRaXMAO\" width=\"600\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p><hr \/><h4>4. The <em>Star Wars<\/em> Prequel Trilogy<\/h4><p>I was the perfect age for the <em>Star Wars<\/em> prequels. I\u2019d seen the original trilogy, but I don\u2019t think I fully understood its significance yet. What I did understand was the brighter, faster, flashier world of <em>The Phantom Menace<\/em>, <em>Attack of the Clones<\/em>, and <em>Revenge of the Sith<\/em>. That was the version that really made Star Wars click for me.<\/p><p>Directed by George Lucas, the trilogy follows Anakin Skywalker\u2019s fall from gifted Jedi to Darth Vader, with Hayden Christensen, Natalie Portman, and Ewan McGregor at the centre of it. Yes, the dialogue is famously clunky, but Darth Maul, Count Dooku, General Grievous, and evil Anakin are all properly iconic. Also, Obi-Wan is absolutely the true protagonist here.<\/p><p>They might get plenty of hate online, but they\u2019re still not Episodes 7, 8, and 9.<\/p><hr \/><h4>5. <em>The Lord of the Rings<\/em> Trilogy<\/h4><p>I remember <i>The Lord of the Rings<\/i> being one of the few times my parents went to the cinema when I was a kid, without me. So naturally, I knew it must have been good. And to be fair, they were right.<\/p><p>Directed by Peter Jackson, <i>The Fellowship of the Ring<\/i>, <i>The Two Towers<\/i>, and <i>The Return of the King<\/i> remain one of the most complete trilogies ever put on screen. The story follows Frodo, Sam, Aragorn, Gandalf, and the rest of the Fellowship as they try to destroy the One Ring before Sauron can reclaim it.<\/p><p>Elijah Wood, Sean Astin, Ian McKellen, and Viggo Mortensen give it real emotion, while the scale of Middle-earth still feels massive. It\u2019s fantasy filmmaking with craft, patience, and a proper sense of journey.<\/p><hr \/><h4>6. <em>The Dark Knight<\/em> Trilogy<\/h4><p>Before Christopher Nolan got hold of Batman, versions of the character had gone from Tim Burton\u2019s gothic weirdness to bat credit cards and rubber suits and cowls that looked impossible to turn your head in. Then <i>Batman Begins<\/i> arrived and made Gotham feel almost militaristic.<\/p><p>Nolan\u2019s trilogy gives Bruce Wayne a proper three-film arc. <i>Batman Begins<\/i> is raw power and anger, with Bruce learning how to turn fear into a weapon. <i>The Dark Knight<\/i> brings experience, confidence, and cockiness, but also the brutal lesson that power means nothing without direction.<\/p><p>By <i>The Dark Knight Rises<\/i>, he\u2019s older, damaged, and carrying the consequences of everything he\u2019s built. Christian Bale makes Bruce feel human beneath the armour, while Michael Caine\u2019s Alfred gives the trilogy its heart (the size of a tangerine). Add in the IMAX cinematography, and you're looking at something truly, truly special.<\/p><p><iframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/1T__uN5xmC0?si=Ob_oLvm195GasepS\" width=\"600\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p><hr \/><h4>7. <em>The Bourne<\/em> Trilogy<\/h4><p>\u201cJesus Christ, that\u2019s Jason Bourne.\u201d<\/p><p>Honestly, no notes. <i>The Bourne Identity<\/i>, <i>The Bourne Supremacy<\/i>, and <i>The Bourne Ultimatum<\/i> are about as tight as action trilogies get. Matt Damon might not have seemed like the obvious spy-action lead at first, but that almost works in the films\u2019 favour. Bourne feels less like a suave super-agent who drinks cocktails and more like a man freaking out because he subconsciously knows how to do things he doesn\u2019t understand yet.<\/p><p>Doug Liman sets the whole thing in motion with <i>Identity<\/i>, before Paul Greengrass pushes the sequels into that frantic, handheld style that made every chase and close-quarters fight feel immediate. The shaky cam was fresh at the time, giving the trilogy a nervous, dramatic pace that later spy films clearly borrowed from. It\u2019s lean, sharp, and just all around a good time.<\/p><hr \/><h4>8. <em>The Godfather<\/em> Trilogy<\/h4><p><i>The Godfather<\/i> and <i>The Godfather: Part II<\/i> are basically perfect films. The casting, the pacing, the lighting, the music, the suits, the quiet threat in every conversation. Perfecto. Francis Ford Coppola turned Mario Puzo\u2019s mafia story into something much bigger than a gangster saga, making it about family, power, loyalty, and the cost of becoming the person everyone expects you to be.<\/p><p>Marlon Brando\u2019s Vito Corleone is iconic, but Al Pacino\u2019s Michael is the real tragedy. He starts as the son who wants no part of the family business, then slowly becomes colder, sharper, and more isolated than anyone around him. <i>Part III<\/i> is the weaker film, no question, but it still works as a final consequence chapter. Even with that dip, this trilogy more than earns its place here.<\/p><hr \/><h4>9. The <em>Dollars<\/em> Trilogy<\/h4><p>Before he was asking whether punks felt lucky, Clint Eastwood was cutting about as a poncho-wearing, cigar-smoking cowboy badass. Sergio Leone\u2019s <i>Dollars<\/i> trilogy arrived at the peak of the spaghetti western era and made the genre feel dirtier, cooler, and far less polished than the more traditional John Wayne-style westerns.<\/p><p><i>A Fistful of Dollars<\/i>, <i>For a Few Dollars More<\/i>, and <i>The Good, the Bad and the Ugly<\/i> are built on dust, silence, suspicion, and some of the best staring ever committed to film. Eastwood barely needs to speak. The squint does half the work. Ennio Morricone\u2019s music gives the whole trilogy a mythic quality, while the landscapes feel massive and unforgiving.<\/p><p>Special shoutout has to go to Lee Van Cleef, too, who brings proper villain energy every time he appears.<\/p><p><iframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/IFNUGzCOQoI?si=LARx8HTCZhNVnfxF\" width=\"600\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p><hr \/><h4>10. <em>The Vengeance<\/em> Trilogy<\/h4><p>First of all, these are not light films. Park Chan-wook\u2019s <em>Vengeance<\/em> trilogy is grim, stylish, but deeply, deeply uncomfortable. It\u2019s also a brilliant example of 2000s Korean cinema bringing ideas to the screen that probably wouldn\u2019t have survived a Hollywood meeting room.<\/p><p>This isn\u2019t a trilogy in the usual character-and-plot sense. <i>Sympathy for Mr. Vengeance<\/i>, <i>Oldboy<\/i>, and <i>Lady Vengeance<\/i> are connected by theme, all circling around revenge and guilt. <i>Oldboy<\/i> is the obvious entry point for many people, especially thanks to its famous corridor fight, a raw, exhausting scene that still gets referenced for a reason.<\/p><p>Across the three films, Chan-wook makes revenge look brutal, beautiful, and completely poisonous, because\u00a0 \"Holding onto anger is like drinking poison and expecting the other person to die.\"<\/p><hr \/><h4>11. The<i> Three Flavours Cornetto <\/i>Trilogy<\/h4><p><em>Three Flavours Cornetto<\/em> is painfully, brilliantly British. Edgar Wright, Simon Pegg, and Nick Frost take the most ordinary parts of British life and throw them into a zombie film, a buddy-cop action, and a sci-fi apocalypse story, somehow making all of it feel completely natural.<\/p><p><i>Shaun of the Dead,<\/i> <i>Hot Fuzz, <\/i>and <i>The World\u2019s End<\/i> are possibly the best horror-comedies ever made. And what ties them together? Not just the iconic Pegg and Frost duo, but also Cornetto ice cream. These films are funny, sharp, and, to be honest, quite bleak...\u201cNo luck catching those swans then?\u201d<\/p><hr \/><h4>12. <em>The Wolverine<\/em> Trilogy<\/h4><p>Hugh Jackman is Wolverine. Plenty of actors have played superheroes well, but Hugh Jackman just is Logan. I was the perfect age for the first <em>X-Men<\/em> films, so it's hard to imagine anyone else in the role. Sometimes, being born in the '90s really is the greatest gift.<\/p><p>As a trilogy, it's uneven, but the overall arc is strong. <em>X-Men Origins: Wolverine<\/em> is messy, loud and very much of its era, while <em>The Wolverine<\/em> gives Logan a more isolated story, digging into his guilt, grief, and exhaustion. Then there's <em>Logan<\/em>, the clear standout and one of the best superhero films, full stop. By that point, Wolverine is older, healing more slowly and tired of a life built around violence.<\/p><p>Watching time finally catch up with a man who's survived for almost two centuries is genuinely devastating. I cried at the end, and I'm not ashamed to admit it.<\/p><p><iframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/Div0iP65aZo?si=nEmz4vvu4CerpZXf\" width=\"600\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p><hr \/><h4>13. The <em>Ocean\u2019s<\/em> Trilogy<\/h4><p class=\"isSelectedEnd\">If <em>The Italian Job<\/em> is classic heist cinema, then <em>Ocean's Eleven<\/em>, <em>Twelve<\/em> and <em>Thirteen<\/em> are the slick, glossy, modern versions, with the confidence turned all the way up. Steven Soderbergh's trilogy is less about danger and more about charm and watching a group of people be annoyingly good at their jobs.<\/p><p>George Clooney, Brad Pitt, Matt Damon, Don Cheadle, Bernie Mac, and the rest of the crew make professional crime look like an appealing career move, which is probably not the intended lesson. The films are expensive-looking and ridiculously cool, moving from Vegas casinos to elaborate European schemes without ever taking themselves too seriously.<\/p><p><em>Ocean's Eleven<\/em> is still the strongest of the three, but the whole trilogy runs on pure cast charisma.<\/p><hr \/><h4>14. <em>The Naked Gun<\/em> Trilogy<\/h4><p><i>The Naked Gun<\/i> trilogy is absolutely a product of its time, but that\u2019s also part of the appeal. It\u2019s ridiculous, yet there\u2019s real craft behind how daft it all seems on the surface.<\/p><p>Leslie Nielsen\u2019s Frank Drebin is the key. He plays every absurd line with total seriousness, which makes the slapstick, wordplay, background gags, and complete nonsense land even harder. These films don\u2019t pause to make sure you got the joke; they just throw another five at you and trust that at least two will hit.<\/p><p>Some of it is dated, naturally, but the best bits still feel sharp because the timing is so precise. It\u2019s not trying to be sensible comedy. It\u2019s chaos in a police badge, and you love it for what it is.<\/p><hr \/><h4>15. The <em>Mad Max<\/em> Original Trilogy<\/h4><p>Before the later controversies around Mel Gibson complicated his reputation, he really was <i>the man<\/i> for a while, and the original <i>Mad Max<\/i> films are a big reason why. I remember watching them as a child and trying to wrap my head around the whole thing. The road gangs, the leather, the dust, the battered cars, the sense that society had just collapsed, and everyone had decided to express that through violence and motorbikes.<\/p><p>George Miller\u2019s trilogy starts fairly raw with <i>Mad Max<\/i>, then fully locks into the wasteland myth with <i>The Road Warrior<\/i> and <i>Beyond Thunderdome<\/i>. That dystopian road-punk look is so striking that it basically became the template for post-apocalyptic action. Even now, when a film shows a desert wasteland full of modified vehicles, it\u2019s hard not to see Max\u2019s tyre tracks all over it.<\/p><p><iframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/GLugCmYn_ts?si=nGCKbzA-FjF0fCvE\" width=\"600\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p><hr \/><h4>16. The <em>Spider-Man<\/em> Trilogy<\/h4><p>Team Tobey, 10000%. Sam Raimi\u2019s <i>Spider-Man<\/i> trilogy was everything you wanted a superhero film to be at the time: colourful, sincere, dramatic, and a bit weird.<\/p><p>What makes it work is how well it balances comic-book danger with painfully normal problems. Peter Parker isn\u2019t just fighting Green Goblin, Doc Ock, and Sandman. He\u2019s late for work, behind on rent, awkward in love, and constantly trying to do the right thing while his life falls apart. Tobey Maguire makes that struggle feel genuine, while Willem Dafoe and Alfred Molina give us two of the most iconic villains in superhero cinema.<\/p><p>Bruce Campbell\u2019s little appearances are also perfect comic relief. And yes, they were going to make a fourth one... but I guess the world wasn't ready for that.<\/p><hr \/><div class=\"qMYqUG_convSearchResultHighlightRoot\"><div class=\"\" data-turn-id-container=\"request-6a33c9f2-66e8-832b-9c89-274d39d3c099-39\" data-is-intersecting=\"true\"><section class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [&:has([data-writing-block])>*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"request-6a33c9f2-66e8-832b-9c89-274d39d3c099-39\" data-turn-id-container=\"request-6a33c9f2-66e8-832b-9c89-274d39d3c099-39\" data-testid=\"conversation-turn-86\" data-turn=\"assistant\"><div class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"><div class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" data-conversation-screenshot-content=\"\"><div class=\"flex max-w-full flex-col gap-4 grow\"><div class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+&]:mt-1\" dir=\"auto\" data-message-author-role=\"assistant\" data-message-id=\"cbdfcdc3-af7a-4608-b1ef-1a6f8d6facac\" data-message-model-slug=\"gpt-5-5-thinking\" data-turn-start-message=\"true\"><div class=\"flex w-full flex-col gap-1 empty:hidden\"><div class=\"markdown prose dark:prose-invert wrap-break-word w-full light markdown-new-styling\"><h4 data-section-id=\"1pfy9gy\" data-start=\"0\" data-end=\"21\">17. The <em>Blade<\/em> Trilogy<\/h4><p data-start=\"23\" data-end=\"394\">Before the MCU had everyone staying for post-credit scenes, <em data-start=\"83\" data-end=\"90\">Blade<\/em> was already making comic book films look cooler, darker, and far less safe. Wesley Snipes is ridiculous in the best way here. The sunglasses, the sword, the leather coat, the deadpan delivery. He doesn\u2019t play Blade like a superhero. He plays him like the bouncer at the world\u2019s most dangerous nightclub.<\/p><p data-start=\"396\" data-end=\"764\" data-is-last-node=\"\" data-is-only-node=\"\">The first film\u2019s blood rave opening is still one of the great introductions to a character, while <em data-start=\"494\" data-end=\"504\">Blade II<\/em> gets Guillermo del Toro involved and leans even harder into the gothic creature-feature side of things. <em data-start=\"609\" data-end=\"625\">Blade: Trinity<\/em> is definitely the weaker entry, but the trilogy\u2019s legacy is secure. After all, \u201csome motherf***ers are always trying to ice-skate uphill.\u201d<\/p><\/div><\/div><\/div><\/div><div class=\"z-0 flex min-h-[46px] justify-start\">\u00a0<\/div><div class=\"mt-3 w-full empty:hidden\"><div class=\"text-center\"><hr \/><\/div><\/div><\/div><\/div><\/section><\/div><\/div><div class=\"pointer-events-none -mt-px h-px translate-y-[calc(var(--scroll-root-safe-area-inset-bottom)-14*var(--spacing))]\" aria-hidden=\"true\"><h4 data-section-id=\"1f7jdkf\" data-start=\"0\" data-end=\"25\">18. The <em>Rush Hour<\/em> Trilogy<\/h4><p data-start=\"27\" data-end=\"289\"><em data-start=\"27\" data-end=\"38\">Rush Hour<\/em> works because Jackie Chan and Chris Tucker feel like they should not work together at all, and then somehow become the entire reason to keep watching. One is all precision, timing, and physical comedy. The other is pure volume, confidence, and chaos.<\/p><p data-start=\"291\" data-end=\"827\">The trilogy sits somewhere between buddy-cop film, martial arts showcase, and comfort watch. Jackie Chan brings the stunt work and fight choreography, often making action scenes feel like comedy routines with real danger attached.<\/p><p data-start=\"291\" data-end=\"827\">Chris Tucker, meanwhile, talks at a speed no normal person should be able to maintain. Some of the humour is very much of its time, but the chemistry still carries it. It\u2019s loud, silly, endlessly quotable, and proof that sometimes all you need is two mismatched leads arguing their way through explosions.<\/p><\/div><p><iframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/JMiFsFQcFLE?si=ZwzULVatVhFDE8Uk\" width=\"600\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><span data-mce-type=\"bookmark\" style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" class=\"mce_SELRES_start\">\ufeff<\/span><\/iframe><\/p><hr \/><h4 class=\"pointer-events-none -mt-px h-px translate-y-[calc(var(--scroll-root-safe-area-inset-bottom)-14*var(--spacing))]\" aria-hidden=\"true\">19. The <em>Pirates of the Caribbean<\/em> Trilogy<\/h4><p data-start=\"42\" data-end=\"235\">First of all, we\u2019re ignoring everything after <em data-start=\"88\" data-end=\"104\">At World\u2019s End<\/em>. As far as I\u2019m concerned, <em data-start=\"131\" data-end=\"161\">The Curse of the Black Pearl<\/em>, <em data-start=\"163\" data-end=\"181\">Dead Man\u2019s Chest<\/em>, and <em data-start=\"187\" data-end=\"203\">At World\u2019s End<\/em> are the full circle experience.<\/p><p data-start=\"237\" data-end=\"792\" data-is-last-node=\"\" data-is-only-node=\"\">The fact that this all came from a Disneyland ride is still wild, because the first film has no right to be as good as it is. It\u2019s funny, spooky, romantic, and properly adventurous, with Johnny Depp turning Jack Sparrow into an instant icon. Orlando Bloom and Keira Knightley give the trilogy its more traditional swashbuckling heart, while the sequels go bigger, stranger, and more supernatural.<\/p><p data-start=\"237\" data-end=\"792\" data-is-last-node=\"\" data-is-only-node=\"\">Davy Jones is a brilliant villain, too, all tentacles, tragedy, and \u201cDo you fear death?\u201d energy. It\u2019s frivolous pirate nonsense, but done with real scale and charm.<\/p><hr \/><div class=\"qMYqUG_convSearchResultHighlightRoot\"><div class=\"\" data-turn-id-container=\"request-6a33c9f2-66e8-832b-9c89-274d39d3c099-45\" data-is-intersecting=\"true\"><section class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [&:has([data-writing-block])>*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"request-6a33c9f2-66e8-832b-9c89-274d39d3c099-45\" data-turn-id-container=\"request-6a33c9f2-66e8-832b-9c89-274d39d3c099-45\" data-testid=\"conversation-turn-98\" data-turn=\"assistant\"><div class=\"z-0 flex min-h-[46px] justify-start\"><h4 data-section-id=\"1ch9tlq\" data-start=\"0\" data-end=\"21\">20. The <em>Shrek<\/em> Trilogy<\/h4><p data-start=\"23\" data-end=\"243\"><em data-start=\"23\" data-end=\"30\">Shrek<\/em> took the clean, polished fairy-tale formula and made it rude, scruffy, sarcastic, and somehow still genuinely sweet.<\/p><p data-start=\"245\" data-end=\"777\">The first film gave DreamWorks a proper identity and proved animated films could be cheeky without losing heart. Then <em data-start=\"363\" data-end=\"372\">Shrek 2<\/em> came along and, let\u2019s be honest, it might be the best one. Puss in Boots arrives fully formed, Fairy Godmother is a top-tier villain, and the soundtrack choices are ridiculous in the best way. <em data-start=\"563\" data-end=\"580\">Shrek the Third<\/em> is definitely weaker, but the trilogy still earns its place through sheer cultural weight.<\/p><p data-start=\"245\" data-end=\"777\">The jokes, the memes, the music, the adult references we definitely didn\u2019t get as kids... it\u2019s ogre cinema.<\/p><hr \/><\/div><\/section><\/div><\/div><h4 data-section-id=\"1dz4ift\" data-start=\"0\" data-end=\"26\">21. <em>The Terminator<\/em> Trilogy<\/h4><p data-start=\"28\" data-end=\"218\">For me, <em data-start=\"36\" data-end=\"52\">The Terminator<\/em>, <em data-start=\"54\" data-end=\"82\">Terminator 2: Judgment Day<\/em>, and <em data-start=\"88\" data-end=\"110\">Rise of the Machines<\/em> are the ones that count, because they complete the John Connor arc. Everything after that gets a bit messy.<\/p><p data-start=\"220\" data-end=\"796\" data-is-last-node=\"\" data-is-only-node=\"\">The first film is almost a horror movie, with Arnold Schwarzenegger as this unstoppable machine hunting Sarah Connor through dark streets and cheap motels; it feels very John Carpenter-esque, capturing that tech-noir feel.<\/p><p data-start=\"220\" data-end=\"796\" data-is-last-node=\"\" data-is-only-node=\"\">Then <em data-start=\"381\" data-end=\"385\">T2<\/em> somehow takes that idea and makes one of the greatest action sequels ever made. Bigger budget, better effects, emotional weight, and Sarah Connor going from terrified target to absolute survivalist icon.<\/p><p data-start=\"220\" data-end=\"796\" data-is-last-node=\"\" data-is-only-node=\"\"><em data-start=\"590\" data-end=\"612\">Rise of the Machines<\/em> is definitely the weaker third entry, but its bleak ending does a lot of heavy lifting. As a trilogy, it\u2019s about fate, fear, and whether John Connor can ever really outrun the future.<\/p><p><iframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/CRRlbK5w8AE?si=h5rWwPK7zlSDBbhP\" width=\"600\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p><div class=\"qMYqUG_convSearchResultHighlightRoot\"><div class=\"\" data-turn-id-container=\"request-6a33c9f2-66e8-832b-9c89-274d39d3c099-45\" data-is-intersecting=\"true\"><section class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [&:has([data-writing-block])>*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"request-6a33c9f2-66e8-832b-9c89-274d39d3c099-45\" data-turn-id-container=\"request-6a33c9f2-66e8-832b-9c89-274d39d3c099-45\" data-testid=\"conversation-turn-98\" data-turn=\"assistant\"><div class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"><div class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" data-conversation-screenshot-content=\"\"><div class=\"text-center\"><hr \/><\/div><\/div><\/div><\/section><\/div><\/div><div class=\"pointer-events-none -mt-px h-px translate-y-[calc(var(--scroll-root-safe-area-inset-bottom)-14*var(--spacing))]\" aria-hidden=\"true\"><div class=\"qMYqUG_convSearchResultHighlightRoot\"><div class=\"\" data-turn-id-container=\"request-6a33c9f2-66e8-832b-9c89-274d39d3c099-49\" data-is-intersecting=\"true\"><section class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [&:has([data-writing-block])>*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"request-6a33c9f2-66e8-832b-9c89-274d39d3c099-49\" data-turn-id-container=\"request-6a33c9f2-66e8-832b-9c89-274d39d3c099-49\" data-testid=\"conversation-turn-106\" data-turn=\"assistant\"><div class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"><div class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" data-conversation-screenshot-content=\"\"><div class=\"flex max-w-full flex-col gap-4 grow\"><div class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+&]:mt-1\" dir=\"auto\" data-message-author-role=\"assistant\" data-message-id=\"d76e752d-7e95-4980-8742-0a3a013545b5\" data-message-model-slug=\"gpt-5-5-thinking\" data-turn-start-message=\"true\"><div class=\"flex w-full flex-col gap-1 empty:hidden\"><div class=\"markdown prose dark:prose-invert wrap-break-word w-full light markdown-new-styling\"><h4 data-section-id=\"11lx7vf\" data-start=\"0\" data-end=\"25\">22. The <em>Toy Story<\/em> Trilogy<\/h4><p data-start=\"27\" data-end=\"405\">The <em data-start=\"31\" data-end=\"42\">Toy Story<\/em> trilogy has that rare thing where it seems to grow up at the same speed as the audience. The first film is bright, funny, and ridiculously inventive, with Woody and Buzz going from jealous rivals to one of animation\u2019s <strong><a href=\"https:\/\/www.av.com\/blog\/best-movie-duos\/\" target=\"_blank\" rel=\"noopener\">best double acts<\/a><\/strong>. By <em data-start=\"282\" data-end=\"295\">Toy Story 2<\/em>, Pixar had already worked out how to make a sequel that expanded the world without losing the emotional core.<\/p><p data-start=\"407\" data-end=\"796\" data-is-last-node=\"\" data-is-only-node=\"\">Then <em data-start=\"412\" data-end=\"425\">Toy Story 3<\/em> arrives and decides that, actually, a film about plastic toys should make everyone think about time, change, abandonment, and moving on. Completely normal. Tom Hanks and Tim Allen give Woody and Buzz real warmth across all three films, but the magic is how human everything feels. Before the later films carried it on, this was a near-perfect beginning, middle, and end.<\/p><hr \/><\/div><\/div><\/div><\/div><div class=\"z-0 flex min-h-[46px] justify-start\"><h4 data-section-id=\"dj6hsk\" data-start=\"74\" data-end=\"95\">23. The <em>Alien<\/em> Trilogy<\/h4><p data-start=\"97\" data-end=\"471\">The <em data-start=\"101\" data-end=\"108\">Alien<\/em> trilogy is strange because it almost refuses to stay in one genre. <em data-start=\"176\" data-end=\"183\">Alien<\/em> is basically a haunted-house film in space, all corridors, shadows, dripping ceilings, and the horrible feeling that something is moving just out of sight. H.R. Giger\u2019s xenomorph design is still disgusting, elegant, and properly nightmarish in a way very few movie monsters have matched.<\/p><p data-start=\"473\" data-end=\"886\" data-is-last-node=\"\" data-is-only-node=\"\">Then <em data-start=\"478\" data-end=\"486\">Aliens<\/em> turns the whole thing into a war movie, swapping slow dread for marines, firepower, and full-blown panic. It\u2019s brilliant, but I do think the series started chasing what was current at the time instead of sticking to what made the original so unnerving. <em data-start=\"740\" data-end=\"749\">Alien 3<\/em> is bleak, messy, and divisive, but Sigourney Weaver is incredible throughout. Personally, I\u2019d have happily kept it as pure space horror.<\/p><\/div><\/div><\/div><\/section><\/div><\/div><\/div><div class=\"pointer-events-none -mt-px h-px translate-y-[calc(var(--scroll-root-safe-area-inset-bottom)-14*var(--spacing))]\" aria-hidden=\"true\"><div class=\"qMYqUG_convSearchResultHighlightRoot\"><div class=\"\" data-turn-id-container=\"request-6a33c9f2-66e8-832b-9c89-274d39d3c099-49\" data-is-intersecting=\"true\"><section class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [&:has([data-writing-block])>*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"request-6a33c9f2-66e8-832b-9c89-274d39d3c099-49\" data-turn-id-container=\"request-6a33c9f2-66e8-832b-9c89-274d39d3c099-49\" data-testid=\"conversation-turn-106\" data-turn=\"assistant\"><div class=\"z-0 flex min-h-[46px] justify-start\"><hr \/><\/div><div class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"><div class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" data-conversation-screenshot-content=\"\"><div class=\"mt-3 w-full empty:hidden\"><div class=\"text-center\"><h4 style=\"text-align: left;\" data-section-id=\"uyr6jv\" data-start=\"0\" data-end=\"24\">24. The <em>Die Hard<\/em> Trilogy<\/h4><p style=\"text-align: left;\" data-start=\"26\" data-end=\"54\">\u201cWelcome to the party, pal!\u201d<\/p><p style=\"text-align: left;\" data-start=\"56\" data-end=\"475\">The first three <em data-start=\"72\" data-end=\"82\">Die Hard<\/em> films are the ones that really define John McClane. <em data-start=\"135\" data-end=\"145\">Die Hard<\/em> traps him in Nakatomi Plaza with no shoes, no backup, and Alan Rickman\u2019s Hans Gruber stealing every scene with terrifying charm. <em data-start=\"275\" data-end=\"287\">Die Hard 2<\/em> takes the same festive nightmare energy to an airport, while <em data-start=\"349\" data-end=\"376\">Die Hard with a Vengeance<\/em> opens things up across New York with Samuel L. Jackson adding a brilliant extra layer of friction.<\/p><p style=\"text-align: left;\" data-start=\"477\" data-end=\"928\">Bruce Willis makes McClane feel different from the muscle-bound action heroes of the era. He\u2019s bruised, sarcastic, stubborn, and usually only one bad decision away from total disaster. Hans Gruber is obviously the gold standard for charming villains, while <em data-start=\"734\" data-end=\"746\">Die Hard 2<\/em> keeps the chaos moving and <em data-start=\"774\" data-end=\"801\">Die Hard with a Vengeance<\/em> turns it into a louder, nastier New York treasure hunt. The first three \"go hard...\" Yippee-ki-yay, and all that.<\/p><p><iframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/gYWvwkXreaI?si=-JoHHhKlNADXEusS\" width=\"600\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p><\/div><\/div><\/div><div class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" data-conversation-screenshot-content=\"\"><div class=\"mt-3 w-full empty:hidden\"><div class=\"text-center\"><div class=\"pointer-events-none -mt-px h-px translate-y-[calc(var(--scroll-root-safe-area-inset-bottom)-14*var(--spacing))]\" aria-hidden=\"true\"><div class=\"qMYqUG_convSearchResultHighlightRoot\"><div class=\"\" data-turn-id-container=\"request-6a33c9f2-66e8-832b-9c89-274d39d3c099-49\" data-is-intersecting=\"true\"><section class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [&:has([data-writing-block])>*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"request-6a33c9f2-66e8-832b-9c89-274d39d3c099-49\" data-turn-id-container=\"request-6a33c9f2-66e8-832b-9c89-274d39d3c099-49\" data-testid=\"conversation-turn-106\" data-turn=\"assistant\"><div class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"><div class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" data-conversation-screenshot-content=\"\"><div class=\"mt-3 w-full empty:hidden\"><div class=\"text-center\"><hr \/><\/div><\/div><div class=\"qMYqUG_convSearchResultHighlightRoot\"><div class=\"\" data-turn-id-container=\"request-6a33c9f2-66e8-832b-9c89-274d39d3c099-9\" data-is-intersecting=\"true\"><section class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [&:has([data-writing-block])>*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"request-6a33c9f2-66e8-832b-9c89-274d39d3c099-9\" data-turn-id-container=\"request-6a33c9f2-66e8-832b-9c89-274d39d3c099-9\" data-testid=\"conversation-turn-130\" data-turn=\"assistant\"><div class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"><div class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" data-conversation-screenshot-content=\"\"><div class=\"flex max-w-full flex-col gap-4 grow\"><div class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+&]:mt-1\" dir=\"auto\" data-message-author-role=\"assistant\" data-message-id=\"a7024efe-11ff-4f55-b627-bbf17aedc0b7\" data-message-model-slug=\"gpt-5-5-thinking\" data-turn-start-message=\"true\"><div class=\"flex w-full flex-col gap-1 empty:hidden\"><div class=\"markdown prose dark:prose-invert wrap-break-word w-full light markdown-new-styling\"><h4 data-section-id=\"oeabsl\" data-start=\"57\" data-end=\"99\">25. The <em>Planet of the Apes: Caesar<\/em> Trilogy<\/h4><p data-start=\"101\" data-end=\"451\">The <em>Caesar<\/em> trilogy is way better than it probably needed to be. <em data-start=\"165\" data-end=\"197\">Rise of the Planet of the Apes<\/em> starts with Caesar being raised around humans, learning from them, trusting them, and then slowly realising that the world isn\u2019t going to treat him kindly. It\u2019s not just \u201capes get smart and take over\u201d. You actually understand why he starts pulling away.<\/p><p data-start=\"453\" data-end=\"870\" data-is-last-node=\"\" data-is-only-node=\"\">By <em data-start=\"456\" data-end=\"462\">Dawn<\/em>, he\u2019s trying to build something that works, while humans keep bringing their usual problems with them. Then <em data-start=\"571\" data-end=\"576\">War<\/em> pushes him into full leader mode, where every decision feels heavier because it affects more than just him. The films get darker as they go, but they never lose the emotional thread. For a modern reboot trilogy, it\u2019s surprisingly strong, and Caesar\u2019s journey is easily the best thing about it.<\/p><hr \/><\/div><\/div><\/div><\/div><\/div><\/div><\/section><\/div><\/div><\/div><\/div><div class=\"pointer-events-none -mt-px h-px translate-y-[calc(var(--scroll-root-safe-area-inset-bottom)-14*var(--spacing))]\" aria-hidden=\"true\"><h4 data-start=\"45\" data-end=\"429\">26. The\u00a0<em>Apocalypse\u00a0<\/em>Trilogy<\/h4><p data-start=\"45\" data-end=\"429\">John Carpenter\u2019s<em> Apocalypse<\/em> Trilogy is about that horrible feeling that something is wrong and it\u2019s already too late to do anything about it. <em data-start=\"197\" data-end=\"208\">The Thing<\/em> is the obvious heavyweight, with a group of men trapped in the snow, slowly realising that anyone around them might not be human anymore. It\u2019s paranoia, body horror, and practical effects doing genuinely disgusting work.<\/p><p data-start=\"431\" data-end=\"857\" data-is-last-node=\"\" data-is-only-node=\"\"><em data-start=\"431\" data-end=\"451\">Prince of Darkness<\/em> goes stranger, mixing science, religion, and evil in a way that feels grubby and unsettling rather than polished. Then <em data-start=\"571\" data-end=\"596\">In the Mouth of Madness<\/em> leans into reality falling apart completely, with Sam Neill caught in a story that seems to be writing itself around him. They\u2019re not connected by characters, but by that classic Carpenter feeling: the world is ending, and nobody is really equipped to stop it.<\/p><\/div><\/section><\/div><\/div><\/div><div class=\"pointer-events-none -mt-px h-px translate-y-[calc(var(--scroll-root-safe-area-inset-bottom)-14*var(--spacing))]\" aria-hidden=\"true\"><hr \/><\/div><div aria-hidden=\"true\"><h4 data-section-id=\"rvx2n3\" data-start=\"116\" data-end=\"162\">27. The Kinski Madness Trilogy<\/h4><p class=\"isSelectedEnd\">We love Werner Herzog in this house. <em>Aguirre, the Wrath of God<\/em>, <em>Fitzcarraldo<\/em> and <em>Cobra Verde<\/em> aren't a trilogy in the traditional sense, but they feel connected because they all grew out of the same gloriously chaotic creative partnership. Watching Werner Herzog capture Klaus Kinski spiralling into madness, while everyone else hangs on for dear life, is unlike anything else in cinema.<\/p><p><em>Aguirre<\/em> follows a doomed Spanish expedition searching for El Dorado, with Kinski slowly becoming the worst possible man to be stranded in the jungle with. <em>Fitzcarraldo<\/em> centres on a rubber baron determined to build an opera house in the Amazon, which somehow involves dragging a steamship over a hill. <em>Cobra Verde<\/em> then sees Kinski play a Brazilian outlaw sent to West Africa, where power and madness follow him once again.<\/p><p>The behind-the-scenes stories are just as unhinged, including Herzog's claim that he threatened Kinski when the actor tried to leave <em>Aguirre<\/em>, and that a local Indigenous chief even offered to kill Kinski for him. Herzog, apparently, refused.<\/p><p><iframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/xWeb7i8IjYs?si=pUGhVpicpwvYNv2D\" width=\"600\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><span data-mce-type=\"bookmark\" style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" class=\"mce_SELRES_start\">\ufeff<\/span><\/iframe><\/p><hr \/><h4>28. The <em>Urban Loneliness<\/em> Trilogy<\/h4><\/div><\/div><\/div><\/div><\/div><div class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"><div class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" data-conversation-screenshot-content=\"\"><div class=\"mt-3 w-full empty:hidden\"><div class=\"text-center\"><p data-start=\"49\" data-end=\"359\">Wong Kar-wai\u2019s <em>Urban Loneliness<\/em> Trilogy is basically about being surrounded by people and still feeling completely on your own. <em data-start=\"177\" data-end=\"196\">Chungking Express<\/em>, <em data-start=\"198\" data-end=\"213\">Fallen Angels<\/em>, and <em data-start=\"219\" data-end=\"235\">Happy Together<\/em> aren\u2019t linked by plot, but they all sit in that same space where modern life feels fast, crowded, and weirdly disconnected.<\/p><p data-start=\"361\" data-end=\"850\" data-is-last-node=\"\" data-is-only-node=\"\">Seen as social commentary, they say a lot about city living in the '90s: People working late, eating alone, missing calls, falling for strangers, and trying to find meaning in tiny routines.<\/p><p data-start=\"361\" data-end=\"850\" data-is-last-node=\"\" data-is-only-node=\"\"><em data-start=\"551\" data-end=\"570\">Chungking Express<\/em> has that restless Hong Kong energy, <em data-start=\"607\" data-end=\"622\">Fallen Angels<\/em> pushes it into something darker and more nocturnal, and <em data-start=\"679\" data-end=\"695\">Happy Together<\/em> takes the loneliness abroad with Tony Leung and Leslie Cheung drifting through a relationship that keeps hurting them. It\u2019s beautiful, but far from comforting.<\/p><hr \/><div class=\"qMYqUG_convSearchResultHighlightRoot\"><div class=\"\" data-turn-id-container=\"request-6a33c9f2-66e8-832b-9c89-274d39d3c099-19\" data-is-intersecting=\"true\"><section class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [&:has([data-writing-block])>*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"request-6a33c9f2-66e8-832b-9c89-274d39d3c099-19\" data-turn-id-container=\"request-6a33c9f2-66e8-832b-9c89-274d39d3c099-19\" data-testid=\"conversation-turn-150\" data-turn=\"assistant\"><div class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"><div class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" data-conversation-screenshot-content=\"\"><div class=\"flex max-w-full flex-col gap-4 grow\"><div class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+&]:mt-1\" dir=\"auto\" data-message-author-role=\"assistant\" data-message-id=\"0d7128ee-e0b1-47b0-b6d4-d9fce2e810a4\" data-turn-start-message=\"true\" data-message-model-slug=\"gpt-5-5-thinking\"><div class=\"flex w-full flex-col gap-1 empty:hidden\"><div class=\"markdown prose dark:prose-invert wrap-break-word w-full light markdown-new-styling\"><h4 data-section-id=\"iseqbo\" data-start=\"0\" data-end=\"49\">29. The <em>Fast & Furious<\/em> Trilogy<\/h4><p data-start=\"51\" data-end=\"284\">Before the <em data-start=\"62\" data-end=\"78\">Fast & Furious<\/em> films became global spy missions with cars falling out of planes, they were still just about street racing, tuned imports, dodgy garages, and people acting like a quarter-mile race was a sacred life event.<\/p><p data-start=\"286\" data-end=\"908\" data-is-last-node=\"\" data-is-only-node=\"\"><em data-start=\"286\" data-end=\"312\">The Fast and the Furious<\/em>, <em data-start=\"314\" data-end=\"332\">2 Fast 2 Furious<\/em>, and <em data-start=\"338\" data-end=\"351\" data-is-only-node=\"\">Tokyo Drift<\/em> capture a very specific early-2000s car culture: Neon underglow, NOS bottles, body kits, chrome wheels, loud exhausts, and everyone pretending a laptop in the passenger seat made them a mechanical genius. It\u2019s ridiculous, but it\u2019s also culturally massive.<\/p><p data-start=\"286\" data-end=\"908\" data-is-last-node=\"\" data-is-only-node=\"\">These films made Japanese performance cars feel mythical to a whole generation, especially the Mk4 Toyota Supra. Honestly, <em data-start=\"731\" data-end=\"747\">Fast & Furious<\/em> is a big reason an A80 Supra can now sit around, and well above, the \u00a340k mark in the UK, depending on spec and condition. don't even ask about an R34... Thanks, fast and furious.<\/p><\/div><\/div><hr \/><\/div><\/div><div class=\"z-0 flex min-h-[46px] justify-start\"><h4 data-section-id=\"1lwq1lu\" data-start=\"77\" data-end=\"99\">30. The <em>Ip Man<\/em> Trilogy<\/h4><p data-start=\"101\" data-end=\"368\">The <em data-start=\"105\" data-end=\"113\">Ip Man<\/em> trilogy is just really good martial arts cinema. Donnie Yen is great as Ip Man, playing him as calm, polite, and quietly hard as nails. He\u2019s not shouting his way through every scene or trying to look tough.<\/p><p data-start=\"370\" data-end=\"833\" data-is-last-node=\"\" data-is-only-node=\"\">The films follow Ip Man through war, family life, and his move into teaching Wing Chun, with the fight scenes doing a lot of the heavy lifting. They\u2019re fast, clean, and easy to follow, which sounds basic but makes a huge difference.<\/p><p data-start=\"370\" data-end=\"833\" data-is-last-node=\"\" data-is-only-node=\"\"><em data-start=\"603\" data-end=\"613\">Ip Man 2<\/em> brings in Sammo Hung, <em data-start=\"636\" data-end=\"646\">Ip Man 3<\/em> somehow has Mike Tyson in it, and all three films make Wing Chun look dangerously cool. It\u2019s the kind of trilogy that makes you briefly consider practising chain punches in your bedroom.<\/p><p><iframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/RBYbqO_FUA4?si=bJV0jjUNVxNzQdtv\" width=\"600\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><span data-mce-type=\"bookmark\" style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" class=\"mce_SELRES_start\">\ufeff<\/span><\/iframe><\/p><hr \/><h4 data-start=\"370\" data-end=\"833\">31. The\u00a0<em>Jurassic Park\u00a0<\/em>Trilogy<\/h4><p data-start=\"370\" data-end=\"833\" data-is-last-node=\"\" data-is-only-node=\"\">The first <em data-start=\"41\" data-end=\"56\">Jurassic Park<\/em> is still magic. Not \u201cgood for its age\u201d, not just \u201cimportant because of the effects\u201d. Just magic. The dinosaurs feel believable in a way the modern <em data-start=\"204\" data-end=\"220\">Jurassic World<\/em> films never quite manage, even with newer technology. Spielberg gives them space and just enough mystery, which makes the whole thing feel weirdly plausible for a film about a billionaire building a theme park full of prehistoric murder lizards.<\/p><\/div><\/div><\/div><\/section><\/div><\/div><\/div><\/div><div class=\"mt-3 w-full empty:hidden\"><div class=\"text-center\"><div class=\"qMYqUG_convSearchResultHighlightRoot\"><div class=\"\" data-turn-id-container=\"request-6a33c9f2-66e8-832b-9c89-274d39d3c099-19\" data-is-intersecting=\"true\"><section class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [&:has([data-writing-block])>*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"request-6a33c9f2-66e8-832b-9c89-274d39d3c099-19\" data-turn-id-container=\"request-6a33c9f2-66e8-832b-9c89-274d39d3c099-19\" data-testid=\"conversation-turn-150\" data-turn=\"assistant\"><div class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"><div class=\"qMYqUG_convSearchResultHighlightRoot\"><div class=\"\" data-turn-id-container=\"request-6a33c9f2-66e8-832b-9c89-274d39d3c099-26\" data-is-intersecting=\"true\"><section class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [&:has([data-writing-block])>*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"request-6a33c9f2-66e8-832b-9c89-274d39d3c099-26\" data-turn-id-container=\"request-6a33c9f2-66e8-832b-9c89-274d39d3c099-26\" data-testid=\"conversation-turn-164\" data-turn=\"assistant\"><div class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"><div class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" data-conversation-screenshot-content=\"\"><div class=\"flex max-w-full flex-col gap-4 grow\"><div class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+&]:mt-1\" dir=\"auto\" data-message-author-role=\"assistant\" data-message-id=\"d3a09971-d185-42af-bb8c-c7338fbeebba\" data-message-model-slug=\"gpt-5-5-thinking\" data-turn-start-message=\"true\"><div class=\"flex w-full flex-col gap-1 empty:hidden\"><div class=\"markdown prose dark:prose-invert wrap-break-word w-full light markdown-new-styling\"><p data-start=\"477\" data-end=\"1006\" data-is-last-node=\"\" data-is-only-node=\"\">The sequels are messier, but they still have that original <em data-start=\"536\" data-end=\"551\">Jurassic Park<\/em> feeling before the franchise started chasing genetically engineered super-dinosaurs. <em data-start=\"637\" data-end=\"653\">The Lost World<\/em> brings in more chaos and gives Jeff Goldblum centre stage, while <em data-start=\"719\" data-end=\"738\">Jurassic Park III<\/em> is basically a short, sharp dinosaur survival film with a phone ringing inside a Spinosaurus.<\/p><p data-start=\"477\" data-end=\"1006\" data-is-last-node=\"\" data-is-only-node=\"\">The first film is clearly the giant of the three, but the original trilogy still captures that perfect sense of wonder mixed with \u201cmaybe humans should stop touching things\u201d.<\/p><\/div><\/div><\/div><\/div><div class=\"z-0 flex min-h-[46px] justify-start\"><hr \/><\/div><div class=\"mt-3 w-full empty:hidden\"><div class=\"text-center\"><h3 style=\"text-align: left;\">Create your own home cinema<\/h3><h4 style=\"text-align: left;\" data-section-id=\"1m1nixv\" data-start=\"342\" data-end=\"408\">Hisense PX3-PRO 4K Ultra Short Throw Laser TriChroma Projector<\/h4><ul style=\"text-align: left;\" data-start=\"410\" data-end=\"561\"><li data-section-id=\"gavw8a\" data-start=\"410\" data-end=\"460\">4K resolution<\/li><li data-section-id=\"16mycbt\" data-start=\"461\" data-end=\"508\">Ultra-short-throw projects up to 150 inches<\/li><li data-section-id=\"1i826j6\" data-start=\"509\" data-end=\"561\">TriChroma laser<\/li><\/ul><h4 style=\"text-align: left;\" data-section-id=\"qsybsd\" data-start=\"842\" data-end=\"894\">XGIMI Halo+ GTV 1080P Full HD Portable Projector<\/h4><ul style=\"text-align: left;\" data-start=\"896\" data-end=\"1022\"><li data-section-id=\"8fct1q\" data-start=\"896\" data-end=\"938\">1080p Full HD suits casual film nights<\/li><li data-section-id=\"95oruz\" data-start=\"939\" data-end=\"985\">Built-in battery<\/li><li data-section-id=\"6t9ju5\" data-start=\"986\" data-end=\"1022\">Google TV<\/li><\/ul><h4 style=\"text-align: left;\" data-section-id=\"17nf4si\" data-start=\"1303\" data-end=\"1347\">Sapphire 16:9 ALR Projector Screen, 100\"<\/h4><ul data-start=\"1349\" data-end=\"1479\"><li style=\"text-align: left;\" data-section-id=\"1p9rpq\" data-start=\"1349\" data-end=\"1390\">ALR design helps reject ambient light<\/li><li style=\"text-align: left;\" data-section-id=\"1n6ofn3\" data-start=\"1391\" data-end=\"1432\">100-inch size<\/li><li style=\"text-align: left;\" data-section-id=\"1jns7wn\" data-start=\"1433\" data-end=\"1479\">Ultra-narrow bezel<\/li><\/ul><\/div><hr \/><h3>FAQs<\/h3><\/div><\/div><h4>What is the most successful movie trilogy?<\/h4><p>The <em>Avatar<\/em> trilogy is the most successful movie trilogy by worldwide box office. <em>Avatar, Avatar: The Way of Water<\/em> and <em>Avatar: Fire and Ash<\/em> combine record-breaking global earnings with long-running audience demand. We didn't pick it as one of our absolute favourites, but as the numbers show, it's certainly one of the most successful.<\/p><hr \/><h4>What are the top 3 movies of all time?<\/h4><p>The top three movies of all time by worldwide box office are <em>Avatar, Avengers: Endgame<\/em> and <em>Avatar: The Way of Water<\/em>. These films lead global rankings because of massive theatrical runs, repeat viewing, and international appeal.<\/p><hr \/><h4>Which film had 24 sequels?<\/h4><\/div><\/section><\/div><\/div><\/div><\/section><\/div><\/div><div class=\"qMYqUG_convSearchResultHighlightRoot\"><div class=\"\" data-turn-id-container=\"request-WEB:5da9c808-d9cd-49e7-aa89-86410a4ff0b9-50\" data-is-intersecting=\"true\"><section class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [&:has([data-writing-block])>*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"request-WEB:5da9c808-d9cd-49e7-aa89-86410a4ff0b9-50\" data-turn-id-container=\"request-WEB:5da9c808-d9cd-49e7-aa89-86410a4ff0b9-50\" data-testid=\"conversation-turn-4\" data-turn=\"assistant\"><div class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"><div class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" data-conversation-screenshot-content=\"\"><div class=\"flex max-w-full flex-col gap-4 grow\"><div class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+&]:mt-1\" dir=\"auto\" data-message-author-role=\"assistant\" data-message-id=\"e7944889-0fc9-4a62-bffd-881b41d72006\" data-turn-start-message=\"true\" data-message-model-slug=\"gpt-5-5-thinking\"><div class=\"flex w-full flex-col gap-1 empty:hidden\"><div class=\"markdown prose dark:prose-invert wrap-break-word w-full light markdown-new-styling\"><p data-start=\"515\" data-end=\"750\" data-is-last-node=\"\" data-is-only-node=\"\">The film franchise with 24 sequels is <em>James Bond<\/em>. It's been going since 1962, and at the time of writing, there are 25 official films and two unofficial\/non-canon films. Seven actors in total have played 007.<\/p><\/div><\/div><\/div><\/div><\/div><\/div><\/section><\/div><\/div><hr \/><h3>Final thoughts<\/h3><div class=\"qMYqUG_convSearchResultHighlightRoot\"><div class=\"\" data-turn-id-container=\"request-6a33c9f2-66e8-832b-9c89-274d39d3c099-19\" data-is-intersecting=\"true\"><section class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [&:has([data-writing-block])>*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"request-6a33c9f2-66e8-832b-9c89-274d39d3c099-19\" data-turn-id-container=\"request-6a33c9f2-66e8-832b-9c89-274d39d3c099-19\" data-testid=\"conversation-turn-150\" data-turn=\"assistant\"><div class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"><div class=\"pointer-events-none -mt-px h-px translate-y-[calc(var(--scroll-root-safe-area-inset-bottom)-14*var(--spacing))]\" aria-hidden=\"true\"><p data-start=\"19\" data-end=\"424\">So there we have it, 31 of the<strong> best movie trilogies<\/strong> of all time (in our opinion). Some are neat three-film arcs with a clear beginning and end. Others are looser, tied together by a director, a theme, or a shared mood rather than one continuous story. That is why you get traditional trilogies like <em data-start=\"301\" data-end=\"324\">The Lord of the Rings<\/em> sitting alongside things like Carpenter\u2019s<em> Apocalypse<\/em> or Park Chan-wook\u2019s <em>Vengeance<\/em>.<\/p><p data-start=\"426\" data-end=\"706\">That is part of what makes trilogies interesting. They're not always just \u201cpart one, part two, part three\u201d. Sometimes they're a filmmaker returning to the same ideas from different angles, or a set of films that feel connected because they're all wrestling with the same thing.<\/p><p data-start=\"708\" data-end=\"1054\" data-is-last-node=\"\" data-is-only-node=\"\">Of course, no list like this is ever going to please everyone. There will be missing favourites, debatable choices, and at least one trilogy you think should have been nowhere near it. Fair enough. But whether you're here for sci-fi, fantasy, horror, comedy, martial arts, or a man in a hat punching Nazis, there is plenty here worth revisiting.<\/p><\/div><\/div><\/section><\/div><\/div><\/div><\/div><\/div><\/div><\/section><\/div><\/div><\/div>","_et_gb_content_width":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[63,139,5],"tags":[68,108,44],"class_list":["post-48747","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-home-cinema-guides","category-guides-2","category-home-cinema","tag-featured","tag-blog-category-guides-2","tag-home-cinema"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>The 31 Best Movie Trilogies of All Time | AV.com Blog<\/title>\n<meta name=\"description\" content=\"What are the best movie trilogies of all time? 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